In a cold open, this week’s show begins where last week’s show left off, with Phil delighting Dean with some surprising facts about the late comedic genius Tommy Smothers. After that, Dean and Phil dive into “Awards Season” news, offering up thoughts on the recent Emmy Awards, the forthcoming Oscar nominations, and on how viewing of awards shows might change in the years to come. Suffice it to say, your friends in podcasting and broadcasting have both bones to pick and things they hope to see. Speaking of “see”, Phil saw The Zone of Interest in the recently remodeled and re-opened movie theater where he was married. Dean saw the highly acclaimed romantic comedy from Finland, Fallen Leaves, and explains why he did not enjoy it. He also takes the time to explain why Phil does not enjoy the all-time classic screwball comedy Bringing Up Baby! Dean and Phil also weigh in on their thoughts regarding Alec Baldwin (once again) getting charged with involuntary manslaughter for the on-set death of cinematographer Halyna Hutchins. All that, plus Phil turns “Celebrity Deaths” into a game, quizzing Dean on his cultural literacy, and there is a crackerjack production meeting on the air!

You might not know the name Don Phillips, but you will definitely know the names of many the performers whose careers he launched as a casting director, and the films with which he was involved. He is one of four cultural titans that Dean and Phil remember in “Celebrity Deaths” on this week’s show, including a poet and founder of the mythopoetic men’s movement, an iconic Broadway composer, and a trombonist who received the highest honor ever bestowed on jazz musicians. Dean will update us on the latest in his bout with Covid-19, his travel plans, his live ghost hunts and his “Hellacious Renovations”. Phil will regale us with his birthday adventures, his deep dive into historic movie locations, and his exploration of the Manzanar “War Relocation Center”. Several movies will get analyzed as well, including a Kurosawa classic ripe for a modern-day remake, a film noir with a claim to the best dialogue of any movie ever, and a current box office hit that begs the question, “Does bustin’ make Dean & Phil feel good?”