Dean regales us with details of his trip to Knoxville, Tennessee, and updates us on his teaching of improv. Phil updates us on his recovery from multiple eye surgeries, and regales us with details of a Hollywood Bowl “Live Event of the Week” before previewing an upcoming presentation at The Los Angeles Breakfast Club about silent film great Harold Lloyd and his love of 3-D Photography. Phil also sings the praises of two terrific Asian-American performers – Maya Erskine and Awkwafina – as he recommends their most recent movies, the romantic comedy Plus One and the indie drama The Farewell. Dean and Phil revisit the great Denis Villeneuve sci-fi pic Arrival, answer an email from a loyal listener like you (yes, YOU) about the Manson family murders and provide updates and analysis on the CBS-Paramount merger and Netflix’s efforts to purchase the landmark Egyptian Theatre in Hollywood. That a whole lot of entertainment for one hour (plus)! Of course it is YOUR Chillpak Hollywood Hour. 

12 years ago this week, your friends in podcasting were recording their first show in stereo (rather than the two channel mono that was absolutely bonkers) and were discussing Gary Oldman’s sex appeal and The Last Mimzy. A clip from that discussion opens week’s show before Phil provides an update on his recovery from AND preparation for eye surgery, and Dean provides an update on some very interesting live comedy shows he is doing. One is his improv episode of “The X-Files” and you can see it this month in Detroit! Then, the gents move this week’s episode into the Chillpak morgue, where a maverick U.S. Presidential candidate, an all-star pitcher who became a controversial author and a successful actor, one of the greatest character actors of all time, a legend of Italian cinema, and a star of the original “Willy Wonka” all get remembered in “Celebrity Deaths”. A couple more thoughts related to last week’s discussion of what approach will most likely lead to creating great television get shared. Then, Dean and Phil discuss the controversy surrounding the American Cinematheque and the landmark Egyptian Theatre. Finally, they compare notes on Alfred Hitchcock’s fascinating Rope and the recent releases Us from Jordan Poole and Under the Silver Lake from David Robert Mitchell.