“From a secret location somewhere in America …” Dean Haglund is in temporary digs somewhere in his new home state of Michigan. So, when he and Phil Leirness recorded this week’s episode, it wasn’t the official start of YOUR Chillpak Hollywood Hour’s Motown Era. Nevertheless, we learn about Dean’s early D-Town and Michigan discoveries, as well as about the road trip he took from D.C. this past week. Meanwhile, in Los Angeles … Celebrations in anticipation of Phil’s upcoming nuptials have begun with an engagement party. Shocking stories and a hangover ensued! The bulk of this week’s show focuses on a handful of fascinating “Celebrity Deaths” and a slew of great movies. As for the former, a Norwegian World War II hero, a terrific filmmaker, one of the greatest character actors, a tech giant and philanthropic billionaire, and perhaps the most mysterious figure of the 20th and early 21st centuries are remembered. In the latter discussion, two classic horror films and a recent, groundbreaking documentary are recommended and four new cinematic releases are analyzed, including The Old Man & the GunBad Times at the El RoyaleGreen Book and your friends in podcasting’s very own The Lady Killers! Dean and Phil’s dark comedy has been described as “exactly the kind of film we need right now” and it’s available on demand across a variety of platforms in the U.S. and Canada. Learn more at http://theladykillersmovie.com and on this very podcast!

Dean tells stories about the Sydney Opera House. Phil tells stories about an amazing interview he did for his “other” podcast and tells an hilarious story about his upcoming bachelor party. Dean and Phil then share “What We’re Reading” and compare notes on the healing nature of live classical music in the “Live Event of the Week”. A little good news about HBO’s terrific “Barry” is shared in discussion of the Emmy Awards and Dean sings the praises of the Canadian adventure series “Frontier”. Then, your friends in podcasting tackle a wide range of cinematic efforts, from Elia Kazan’s classic film noir Panic in the Streets to the Jack Lemmon vehicle The Days of Wine and Roses, from John Carpenter’s masterful (and initially rejected) The Thing to a current release that has met with praise and promising box office, even though it’s all sorts of awful. Finally a legendary and groundbreaking dancer is remembered in “Celebrity Deaths”. Oh, yeah, and if that wasn’t enough, no actor, editor or filmmaker will want to miss the discussion inspired by an email from a loyal listener …