Your friends in podcasting discuss Netflix’s (perhaps misleading) embrace of movie theaters, they celebrate the resurrection of Todd Hayne’s seemingly dead but now forthcoming detective film (with Pedro Pascal replacing Joaquin Phoenix), and an upcoming movie starring Simon Pegg, Sofia Boutella and Quentin Tarantino. Nia DaCosta’s Hedda gets analyzed, as does the Thai comedy A Useful Ghost and the Charlie Chaplin masterpiece Modern Times. More upcoming movies get previewed and the outstanding discodelic soul of Say She She gets celebrated in the return of “Live Event of the Week”.

It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.