In the first half of this week’s show, Dean and Phil discuss the latest controversial news surround filmmakers Joss Whedon and Woody Allen and ask how do we separate the art from the artist? And should we? After that, a Motown great, a rap great, the Godfather of salsa, a groundbreaking singer and DJ, and a pioneer of jazz fusion all get remembered in “Celebrity Deaths”. The second half of the show is part 2 of the roundtable discussion that began last week, where special guests Marc Hershon and Suli McCullough compare notes with Dean about pursuing careers in comedy. On this week’s agenda are the topics of the pandemic and how it has and will change professional comedy, and the importance of pain in comedy.
Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.