Dean is on a crazy road trip from Detroit, one that has led him to Des Moines and Denver. What city beginning with “De” will be his next stop? You will find out! The show opens with a tale of bad behavior by one of the biggest stars currently living in the Hollywood Hills. The latest on the Rust on-set shooting tragedy, and ensuing legal chaos, gets covered. A holocaust survivor-turned-sitcom star, the composer of one of the most iconic themes in cinema history, and an Oscar-nominated filmmaker all get remembered in “Celebrity Deaths”. A whole mess of 2022 movies get reviewed, including leading “Best Picture” hopeful Women Talking, as well as The Woman King, Where the Crawdads Sing, and The Outfit. An overlooked noir-ish classic from Carol Reed gets reappraised, as does a Nazi gold caper film from the 1970s, and a truly bizarre satire about presidential assassination from the author of “The Manchurian Candidate” and “Prizzi’s Honor”.

Because Dean will be traveling to the UK, next week’s episode will be a special, pre-recorded, “theme” show. On this week’s show, Dean previews his trip. Phil shares an email from a loyal listener like you (YES, YOU!) about a rare and hard (impossible?) to find program from 30 years ago. That leads to a tribute to the late, great Robert Morse. Phil then pays tribute to a friend of his, a fixture of The Los Angeles Breakfast Club, who was as old as that 97 year-old club of hospitality and friendship when he died this past month. Phil also previews a speech he is giving this week at the club about Asian American Pacific Islander Heritage Month. Phil’s recently-acquired appreciation for the greatness of James Mason takes another turn and leads to an appreciation of the greatness of Paul Newman! Dean’s recent derision for all things Michael Mann gets explored and several of the most beloved AND a couple of the most under-appreciated crime films of the past 40 years get examined. Finally, Dean and Phil discuss the differences between disrespect and irreverence, the necessity of the latter and the unhealthy aspects of the former. Somehow this discussion involves both This is Spinal Tap and Elon Musk! From the heart-tugging to the thought-provoking, from the groan-inducing to the funny-bone tickling, it’s all on the menu!

This weekend, Dean and Phil got together in-person on the “American Riviera” for a fascinating discussion inspired by a loyal listener like you (yes, YOU!). The conversation involves the importance of awards not only recognizing and rewarding great work, but also rewarding the great stories surrounding the making of that work! Somehow that inspires Phil to reappraise the entire filmography of James Mason. That great Belgian sleuth, Hercule Poirot, gets more time in the spotlight, as Dean and Phil take a little more time giving both a doff of the cap and a wag of the finger to Kenneth Branagh’s Death on the Nile and Phil, who took the time during the week to unearth the final Peter Ustinov performance as Agatha Christie’s protagonist, has some thoughts about Appointment with Death from the infamous Cannon Film Group. Finally, in a riff on their usual “Celebrity Deaths” section, Dean and Phil discuss three non-celebrity friends who died recently.

This week, Dean and Phil follow up on one of their best episodes ever by discussing the importance of manners as they relate to masks, shoes, and award shows! They have some bracing words about the nature of “safety” in show business. Then, they turn their attention to the Oscar-winning documentary Summer of Soul before discussing Oscar-winner George Chakiris and what he thought made original West Side Story choreographer Jerome Robbins so great. They also discuss the importance of representation, which leads to a discussion of an early Vincente Minnelli film, Cabin in the Sky from 1943, featuring an incredible all-black cast. That leads to a discussion of the version of A Star is Born produced by and starring Minnelli’s one-time wife, Judy Garland. It was a remake, of course, and has been remade twice more. And speaking of remakes, Dean and Phil conclude by analyzing Kenneth Branagh’s Death on the Nile, why it failed as a movie and what is being blamed for its failure at the box office.

We hope this finds you having enjoyed a happy and healthy New Year. Twelfth Night is a festival that takes place on the last night of the Twelve Days of Christmas, marking the coming of the Epiphany. Shakespeare’s “Twelfth Night” (or “What You Will”), is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night’s entertainment for the close of the Christmas season. On this week’s brand new Season 2 Episode 109 of YOUR Chillpak Hollywood Hour, Dean and Phil celebrate both the holiday season AND the immortal Bard of Stratford on Avon by counting down each of their 12 all-time favorite cinematic adaptations of Shakespeare! Brevity might be the soul of wit, but your friends in podcasting (and broadcasting) have an hour to fill!

This week’s proceedings begin with an in-depth appreciation of the cinematic legacy left behind by Sean Connery and on the most thorny aspect of his public life. That leads into the judge’s ruling in a Johnny Depp “Lawsuit of the Week”. Then, Dean and Phil compare notes on their Halloween festivities. Phil will share thoughts sent to him by his new pen pal about conversations in recent episodes involving comic book culture and superhero movies and will compare the genre to the most classic of movie genres, the western. Finally, the show closes with a tribute to one of the last great Beat poets.

Your friends in podcasting have been teasing episode #568 for weeks! They had really been looking forward to counting down their all-time favorite Mystery films and the final results prove to be a lot of fun. So, get those Netflix queues handy, because Dean and Phil will hit you with more than two dozen movies they discuss at length with four films actually finding a place on both their Top Tens. There are comedy “whodunits” from the 1930’s, foreign language allegories from the 2000’s, independent films that launched careers, classics from international masters that launched entire sub-genres, mysteries based on books, mysteries based on plays, mysteries set in the farthest reaches of space, mysteries full of post-war romance and cold war anxiety. The biggest mystery of all is after almost eleven years, how do Dean Haglund and Phil Leirness keep managing to provide an hour (plus) of free audio entertainment each week?!