In a cold open, Phil tells of the “Live Event of the Week”. Then, in the return of “Lawsuit of the Week”, the ongoing saga of Paramount’s desired merger with Warners gets updated, and the recent UK privacy lawsuit involving such notables as Prince Harry, Elton John and Liz Hurley gets analyzed. Two listener emails pertaining to the recent, epic episode of “Deep Dive” exploring 1940s Film Noir get shared. The incredible, just-released episode of “The Wayback Machine” gets discussed and Phil follows up on what was covered in that show by asking Dean about the hit 2009 film District 9 and by quizzing Dean on hit sci-fi television of the past 20 years. Phil has fun discussing the attitudes of fans that have assumed “public ownership” of beloved properties (like “Star Trek”) and Dean makes a plug for his favorite band! Finally, Phil discusses the great Jafar Panahi’s multi-Oscar nominated It Was Just an Accident and this leads to he and Dean comparing notes on their go-to streaming channels or apps.

This week’s episode starts off with a follow-up to a fascinating bit of silent film history discussed on this weekend’s “Celebrity Deaths” show. That leads into discussion of the landmark 107 year-old Santa Monica Airport and what is to become of that land now that the airport is (finally) shutting down. AI is creating a “new” Val Kilmer performance for an upcoming feature film. Dean and Phil have thoughts. Likewise they have thoughts about three movies: the 2016 classic zombie thriller Train to Busan, the most recent film from indie film legend Jim Jarmusch, and an all-time masterpiece from The Archers. Then, your friends in podcasting wrap up the festivities by discussing several more of the theaters that made Time Out’s list of the 100 Greatest Movie Theatres in the World RIGHT NOW!

It’s part one of a special two-part episode! After a rather hilarious cold open, Dean and Phil immediately get down to the serious (ridiculous?) business of counting down their respective lists of the Top Ten Best Films of 2025. This week, they reveal #10 thru #6 on their lists. As with years past, Dean’s list includes films he has hopefully seen, and Phil’s list stretches the definition of “ten” in “Top Ten”. Because they actually accomplish this week’s task in less than an hour, Phil takes some time at the end to regale Dean with what might be the best sci-fi movies to be coming out in 2026! So, buckle up and prepare to celebrate the (recent) past AND look forward to the (near) future.

Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

On this week’s episode, Dean and Phil answer the following questions: 1) Was Vincent Van Gogh a mathematics genius? 2) What does a Frisbee have to do with airline aviation? 3) Does Phil’s hatred of The Fall Guy know no bounds? Then, a review of the neo-noir pastiche Love Lies Bleeding leads into a brief discussion about distributor A24’s output. The recent Chillpak discussion of Joaquin Phoenix bailing on his planned collaboration with Todd Haynes, caused Phil to revisit Todd Haynes’ 2002 almost-masterpiece Far From Heaven, and the death of the legendary leading man Alain Delon led Phil to watch three of the actor’s greatest successes on the big screen this week. The result is not only a discussion of Le Cercle Rouge, Purple Noon and La Piscine (aka The Swimming Pool), but a full deep dive into “heist” pictures, film critics, and more.

Next Monday, your friends in broadcasting and podcasting will return with a brand new “live” show that will catch you up on all the news of the season. This week, it’s part two of the road trip adventure Dean and Phil recorded on Friday December 9 when they drove from downtown Los Angeles to Montecito and back. The Sight and Sound poll of the greatest films ever made, the #16 film on that poll, surrealism, dream logic, and the works of Luis Bunuel and Salvador Dali are the topics that open the proceedings. Then, after a shift to the (very loud) Summerland Beach Café, Phil tackles two films making a lot of Top Ten Lists this year: the donkey adventure tale EO and the latest from auteur Robert Eggers, The Northman. Please bare with the difficult audio, for soon Dean and Phil will be back in the car, riding alongside the sparkling blue Pacific and discussing the Netflix series “1899”, the improv collaborations of Jonathan Winters and Robin Williams, and whole lot of casting “what-ifs”. There is also analysis of a law-change benefiting sexual assault survivors, and a fascinating “trash talk” interaction in the National Basketball Association. Hop in and buckle up!