After a cold open wherein Phil gives everyone the lay of the land, outtakes from last week’s show are picked up off the cutting room floor, dusted off and used, revealing an obviously drunken Dean and (a perhaps tipsy) Phil continuing their discussion of commuter trains before delving into Project Hail Mary and a couple of vintage James Bond films. Then, after a midpoint musical interlude that allows Dean and Phil to become sober as judges, good pal Jon Lawlor joins the conversation for analysis of the Live Nation and Ticketmaster court case and the pending Warner Bros.-Paramount merger. During the show, Phil learns the difference between a Japanese bathhouse and the Alamo Drafthouse, and the difference between the words “vacillate” and “oscillate”.

In his final show from his current trip to the East Coast, Phil regales with thoughts of Easter and tales of cherry blossoms. Dean explains why he did not see Project Hail Mary. An email from a friend of the show leads to further discussion of the 1978 sci-fi cheese-fest Starcrash and to the entire concept of “guilty pleasures” getting analyzed. An email from another good friend of the show causes Phil and Dean to go deep into dead actors taking roles away from living ones and into the exact role Doja Cat played in denying Timothee Chalamet a Best Actor Oscar. Then, Dean and Phil turn their attention to the big show biz news of the weekend: the Writers Guild of America striking an unexpected deal with the AMPTP, and the latest headlines to come out of the Justin Baldoni-Blake Lively lawsuit. Finally, the proceedings wrap up with your friends in podcasting sharing personal recollections of the 31st greatest movie theatre in the world right now according to Time Out.

On the eve of the Golden Globes, Dean and Phil got together via Zoom with the Best of 2025 very much on their minds. They discuss the recent Directors Guild and Screen Actors Guild award nominations. They discuss why the Writers Guild awards pale in significance compared to the DGA and SAG. That leads to a review of the multi-Golden Globe nominated, but WGA-ineligible South Korean dark comedy No Other Choice from writer-director Park Chan-wook, and his co-writer Don McKellar, as well as to a discussion of some Park Chan-wook movies from the past that Dean and Phil hope to track down. From one dark comedy to another, Phil and Dean then tackle Ari Aster’s Eddington before cleansing their palate with the utterly delightful Nouvelle Vague from Richard Linklater. Finally, the CNN documentary “I’m Chevy Chase and You’re Not” gets analyzed before Dean and Phil set aside fifteen bonus minutes to peek ahead to what IMDB considers ten of the “most anticipated” movies coming out this year.