Happy Halloween! Come trick-or-treating with Dean Haglund and Phil Leirness as they take a cinematic tour of “Horrorville USA”, the new nickname Phil has coined for Detroit! Several horror films get discussed, including the current Detroit-set shocker Barbarian as well as non-Detroit-based classics like The Leopard Man and Séance on a Wet Afternoon. Dean has started watching HBO’s “Avenue 5” and he finds that scary! Phil also weighs in on the Jon Hamm vehicle Confess, Fletch and a big-time Oscar front-runner, The Banshees of Inisherin from Martin McDonagh. In “Celebrity Deaths”, the “killer”, Jerry Lee Lewis, the beloved comedic actor Leslie Jordan and the stop-motion animation giant Jules Bass all get remembered. And finally, in a re-visitation to a past “What We’re Reading”, Phil talks about ghostly radio signals! All in all, it’s a spooky good installment of YOUR Chillpak Hollywood Hour.
Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.