In their last episode before they celebrate their 15th Anniversary of “changing the way people listen to the internet”, Dean and Phil have a lot to discuss in a show biz world that seems to be getting ever more back to “normal”. There are TV shows like “Better Call Saul”, “Barry”, “Julia” and “Our Flag Means Death” to weigh in on, and movies like “The Batman”, “Kimi” and “Everything Everywhere All at Once” to analyze. A wide array of classic and contemporary performers will get celebrated, including George Chakiris, John Cassavetes, Michelle Yeoh and Zoe Kravitz. In “Celebrity Deaths”, a great French star, hockey’s “The Flower”, and a Broadway icons who became a fixture on both the big and small screens, will all get remembered. Plus, Dean is auditioning again and Phil is hosting more live events.
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.