Your friends in podcasting are one day late in delivering this week’s hearty serving of YOUR Chillpak Hollywood Hour, so they reward your patience with an extra 16 minutes of show!Phil and Dean follow up on last week’s conversation about empathy to analyze the ways we consume movies now and what those ways do for us, or TO us! They preview the forthcoming Joker and Doctor Sleep. They examine the use of de-aging technology in movies. They analyze the evolving differences between the DC vs. Marvel cinematic universes. They review the current theatrical releases Ready or Not and The Peanut Butter Falcon, the recent home video releases Long Shot, Gloria Bell and Men in Black: International. All that, plus they will celebrate the lives and legacies of two music icons, a best-selling novelist, a Broadway trailblazer and a television character actor.
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.