This week’s episode is a grab bag of what you’ve come to expect from YOUR Chillpak Hollywood Hour. A broadcasting legend, perhaps the greatest record producer ever (though also a convicted murderer), a chart-topping early rock and roll star, and many others get remembered in “Celebrity Deaths”. Phil and Dean discuss a review given to their film The Lady Killers (now available to rent or to own everywhere in the world). Phil once again quizzes Dean on movie ads from the 80s and 90s before they analyze the latest Covid-19 fallout to theatrical movie releases and to theaters themselves. Then, Phil regales with details of his “Drive-In Movie Adventure”, Dean reviews Wonder Woman 1984, and your friends in podcasting close with “What We’re Reading”, including an hilarious and disturbingly relevant book from 15 years ago that arrived to Phil by mistake!

In many ways, this week’s show is a sequel to last week’s episode #534, with the promised celebration of Jeanne Moreau’s life and career, an email from a listener about Tom Jones’ “The Young New Mexican Puppeteer” and more from the British Film Institute List of “the 50 films you should see by the age of 14”.

Unlike most sequels, however, this show is even more irreverent, insightful and informative than last week’s!

The festivities commence with a clip of Dean on Australian television telling a (bestiality?) joke, and then after a special opening (a tribute to Glen Campbell), Dean comes out guns blazing, ranting about the internet speeds of his adopted land. After Phil calms him down, they discuss the news of David Letterman’s new show, they urge people to save the Salem Cinema (a jewel of the Pacific Northwest), they talk about an interview they did with the late Jim Marrs and they continue their discussion about the “death of discernment”, this time focusing on an appalling memo crafted by a then member of the National Security Council.

 

From there, it’s onto “Celebrity Deaths”, where, in addition to the Femme Fatale of the French New Wave and Glen Campbell, your friends in podcasting remember a Tony-winning star of Broadway’s “The Music Man”, the star of an early television western series turned right-wing anti-government activist, and the man inside the Godzilla costume.

Finally, Dean and Phil discuss a 1982 Australian western, a 1954 western that influenced the likes of Sergio Leone and Sam Peckinpah, the original King Kong, and the Will Rogers comedy Life Begins at 40.