From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
12 years ago this week, your friends in podcasting were recording their first show in stereo (rather than the two channel mono that was absolutely bonkers) and were discussing Gary Oldman’s sex appeal and The Last Mimzy. A clip from that discussion opens week’s show before Phil provides an update on his recovery from AND preparation for eye surgery, and Dean provides an update on some very interesting live comedy shows he is doing. One is his improv episode of “The X-Files” and you can see it this month in Detroit! Then, the gents move this week’s episode into the Chillpak morgue, where a maverick U.S. Presidential candidate, an all-star pitcher who became a controversial author and a successful actor, one of the greatest character actors of all time, a legend of Italian cinema, and a star of the original “Willy Wonka” all get remembered in “Celebrity Deaths”. A couple more thoughts related to last week’s discussion of what approach will most likely lead to creating great television get shared. Then, Dean and Phil discuss the controversy surrounding the American Cinematheque and the landmark Egyptian Theatre. Finally, they compare notes on Alfred Hitchcock’s fascinating Rope and the recent releases Us from Jordan Poole and Under the Silver Lake from David Robert Mitchell.