Dean and Phil follow up on last week’s awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil’s frequent collaborator, Greg De Belles. Greg composed the score for Phil’s Karl Rove, I Love You and for Dean and Phil’s The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel’s Van Gogh film At Eternity’s Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.

Dean tells stories about the Sydney Opera House. Phil tells stories about an amazing interview he did for his “other” podcast and tells an hilarious story about his upcoming bachelor party. Dean and Phil then share “What We’re Reading” and compare notes on the healing nature of live classical music in the “Live Event of the Week”. A little good news about HBO’s terrific “Barry” is shared in discussion of the Emmy Awards and Dean sings the praises of the Canadian adventure series “Frontier”. Then, your friends in podcasting tackle a wide range of cinematic efforts, from Elia Kazan’s classic film noir Panic in the Streets to the Jack Lemmon vehicle The Days of Wine and Roses, from John Carpenter’s masterful (and initially rejected) The Thing to a current release that has met with praise and promising box office, even though it’s all sorts of awful. Finally a legendary and groundbreaking dancer is remembered in “Celebrity Deaths”. Oh, yeah, and if that wasn’t enough, no actor, editor or filmmaker will want to miss the discussion inspired by an email from a loyal listener …