It’s part one of a special two-part episode! After a rather hilarious cold open, Dean and Phil immediately get down to the serious (ridiculous?) business of counting down their respective lists of the Top Ten Best Films of 2025. This week, they reveal #10 thru #6 on their lists. As with years past, Dean’s list includes films he has hopefully seen, and Phil’s list stretches the definition of “ten” in “Top Ten”. Because they actually accomplish this week’s task in less than an hour, Phil takes some time at the end to regale Dean with what might be the best sci-fi movies to be coming out in 2026! So, buckle up and prepare to celebrate the (recent) past AND look forward to the (near) future.

This week, Dean and Phil will begin to slowly roll out the new era of Chillpak Hollywood, releasing much more content each week. Phil provides details at the outset. Then, he and Dean engage in much show biz “water cooler” discussion. The most famous modernist home in the world is up for sale for the very first time. Dean and Phil talk about the house, its history, and some of the movies that were filmed there. Warner Bros. is also up for sale, apparently (again!), and Dean and Phil both discuss it and sort of lament it! A loyal listener is very upset about the film Bugonia, so Dean and Phil revisit their debate about the film’s director, Yorgos Lanthimos. The lack of box office this year for accomplished and acclaimed films aimed at adults gets discussed broadly, with two of these films (the Channing Tatum vehicle Roofman, and the recent spy thriller Black Bag) going under the microscope. Finally, two classic films get re-appraised and celebrated anew: Rian Johnson’s Brick on its 20th anniversary, and the rollicking 1966 western The Professionals. Finally, one of Phil’s all-time favorite actors, indeed one of the greatest figures in Japanese cinema history, gets remembered in “Celebrity Deaths”.

Phil is in Los Angeles, Dean is back in home in Detroit (or its environs) and normalcy is restored on this week’s show. Dean offers up his final thoughts about Lisbon, shares the status of his ongoing home renovations, and weighs in on the in-flight movies he availed himself of: John Woo’s remake of his own The Killer and a zombie dog horror film from South Korea. Phil weighs in on a once-great television series that has jumped the shark and a great spy film from Steven Soderbergh that is meeting with box office failure. The state of the box office, film distribution, and what can be done to fix all of it gets analyzed. Then, in “Celebrity Deaths” two great character actors, two chart-topping music-makers, a heavyweight champion turned grillmaster, and a philanthropist who championed architecture all get remembered.