This week, Dean and Phil pick up right where they left off … With Dean enjoying the weather in Michigan, Phil in COVID isolation in Los Angeles, and Robert Blake’s Cinefantastique interview about David Lynch’s Lost Highway providing the basis for a “cold open”. The themes of transition, embracing what wants to come forward, emotional intelligence and more get explored deeply in the wake of the death of Queen Elizabeth II. The Royal-themed discussion doesn’t end there, as Pablo Lorrain’s Princess Diana biopic Spencer goes under the microscope. That just starts the movie talk, though, as after raving about Joanna Hogg and her films The Souvenir and The Souvenir: Part II, Phil previews her new film, a mysterious ghost story, The Eternal Daughter, which premiered at the Venice Film Festival. Praise gets heaped upon filmmaker Steve McQueen and two of the films he made for his “Small Axe” series available on Prime: Mangrove and Lovers Rock. Finally, Dean and Phil wrap things up by analyzing three comic book movies (and the industry built on comic book movies): Taika Waititi’s Thor: Love and Thunder, Daniel Espinosa’s Morbius, and Baz Luhrmann’s Elvis (NOT a comic book movie, you say? Just listen – you might change your mind!).

With how much ground your friends in podcasting cover on this week’s show, you’ll forgive them going almost eight minutes overtime, won’t you? The show starts with a “Live Event of the Week” as Phil regales Dean with tales of his 49th birthday celebrations on a day that involved marionettes, Norse mythology and the oldest restaurant in Hollywood. Then, for the first time in ages, Dean and Phil discuss what they’re reading. After that, it’s onto “Celebrity Deaths” which contains a correction of a correction from last week, as well as remembrances of a former teen idol, a jazz great, a country music great, a gospel great and two award-winning actors. Then, a few more thoughts about the latest news involving toxic masculinity, the United States Senate and “Whataboutism” before Dean and Phil roll up their sleeves to discuss almost a dozen movies, including both the 1974 and 2017 versions of Murder on the Orient Express, Orson Welles’ 1952 Othello, Kelly Reichardt’s Certain Women, and this year’s award hopefuls Last Flag FlyingCall Me By Your Name,Lady BirdMudboundHostiles and The Disaster Artist.