Longtime listeners know that Dean Haglund and Phil Leirness are often at their best when things in the world seem their worst. If an hour of insightful, inspiring, heartfelt and humorous conversation is something your soul could use at present, give a listen as your friends in podcasting try to make sense of a world torn apart by pandemic, shaken to the core by violence, and held spellbound by explorers slipping the surly bonds of earth, as for the first time in a decade, America sent astronauts into space. Dean and Phil discuss all of it and share an essay by a good friend of the show about a passage in history more than 50 years old that seems more relevant than ever. They also tackle the important question, “Can a puppet show provide healing?” And that leads to Dean’s detailed analysis of a particular song. In “Celebrity Deaths”, Dean and Phil remember one of Phil’s very favorite character actors, a man who began and concluded his acting career with Best Picture Oscar winners. They also remember a groundbreaking playwright, screenwriter and activist, as well as an Asian-American pioneer for civil rights and social justice. Finally, they commend Netflix for their social stance and for a brand new comedy series.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
This week’s show is over five and a half years in the making.
It starts with your friends in podcasting revealing their all-time Top Ten Films.
Then, they reveal the all-time Top Ten according to all the guests who have appeared on YOUR Chillpak Hollywood Hour!
What films will make the cut?
We wouldn’t dream of spoiling it. HOWEVER, we CAN let you know that these films did NOT make the top ten, though they came very close, finishing in positions twenty-four through eleven:
24. Vertigo (Director: Alfred Hitchcock, Year: 1958)
23. Apocalypse Now (Francis Coppola, 1979)
22. Amelie (Jean-Pierre Jeunet, 2001)
21. A Clockwork Orange (Stanley Kubrick, 1971)
19. TIE – Pulp Fiction (Quentin Tarantino, 1994), The Big Lebowski (Joel Coen, 1998)
18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
17. Wings of Desire (Wim Wenders, 1987)
16. the Matrix (The Wachowskis, 1999)
15. The Third Man (Carol Reed, 1949)
14. Chinatown (Roman Polanski, 1974)
13. Fellini’s 8 1/2 (Federico Fellini, 1963)
12. Goodfellas (Martin Scorsese, 1990)
11. Lawrence of Arabia (David Lean, 1962)
Got your popcorn? Then, let’s go to the movies!
Dean and Phil count down their Top 10 favorite television programs of all time. Remember, it’s not what they consider the “best” television of all time. It’s their favorites … and who knew they were both such big fans of “Small Wonder”?!?