This week’s show is a bit of a pastiche, cut together from snippets of different conversations Dean and Phil have had these past couple weeks. So, after a hilarious “audio check” cold open, if you hear references to topics not yet covered, don’t worry, it all weaves together wonderfully by the end in what might just be one of our best shows of the year! Phil discusses the forthcoming Netflix reboot of Beverly Hills Cop and the (unwanted by the producers) role he might play in it, and whether its filming location means he lives closer to Detroit than Dean does! The subject of “soft tissue” and the importance of stretching and yoga get discussed in the wake of Phil learning about what it means to “pop a rib”. The reason firefighters carry axes gets explained. The graphic design creative explosion that was the late 70s and early 80s is the subject of a gallery exhibit at the Pacific Design Center and it leads Dean to reminisce. When he was in London, did Dean experience the magic of the Elizabeth Line? And did he get to England through the worst itinerary ever? And what exactly did he get wrong when describing the Billy Wilder failure Kiss Me Stupid? These questions all get answered and the great improv comic turned successful character actor Mike Hagerty gets remembered in “Celebrity Deaths”. And if that weren’t enough, Phil takes the time to interview Russ Haslage about his career in radio, the “wonder” of Subspace, and the history of the fine works by The Federation (and how YOU can help)!
Your friends in podcasting reconvene to celebrate the lives of three performers (one a beloved star of Broadway, another a musical star of television, and the third a movie star who was part of one of Hollywood’s most celebrated marriages), a roboticist, a news magazine host, an iconic designer, and several truly heroic Civil Rights activists. Dean and Phil then roll up their sleeves to analyze why it is that Netflix episodic series are so often delightful and charming, while so many Netflix original movies are listless and perfunctory. And, oh, yeah, they also discuss why good manners might just be the cure for a lot of the troubles that seem to plague the modern world.
On the agenda in another action-packed installment of YOUR Chillpak Hollywood Hour is a full report on Dean and Phil’s movie The Lady Killers at the historic BAL Theatre, and a full report on what makes that theater so darn historic, the aftermath of the devastating California fires, Orson Welles’ The Other Side of the Wind, movie pacing, and in “Celebrity Deaths”, an innovator in motion picture title design, a country music and television icon, a screenwriting legend, a beloved television villainess, and a Shakespearean actor who gave one of the all-time great big screen performances without actually appearing on-screen are all remembered.
This week’s episode spans some serious ground both thematically and geographically. In the USA’s capital, Phil Leirness recorded a very special (and hilarious) opening, before traveling to Baltimore to interview great friend of the show Page Branson, an artist, illustrator and podcast host. Then, it’s off to Brooklyn for a chat with the writer/performer of more than one Chillpak Hollywood Hour theme song, Mr. Jon Lawlor. Then, it’s back to Dallas for some improv comedy courtesy of your friend in podcasting, Mr. Dean Haglund.
In an episode several hundred years in the making, your friends in podcasting count down their Top Ten All Time Favorite Visual Artist. Painting, photography, sculpture, design and more, all get discussed in depth in a rousing conversation between Dean and Phil. It’s the 8th Top Ten show of this year 10 of YOUR Chillpak Hollywood Hour!