This week’s episode finds Dean Haglund and Phil Leirness in fine form, discussing this year’s Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The “Lawsuit of the Week” returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil’s favorite journalists entitled, “We Are Schrödinger’s Cat”. You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II “underground railroad” operation run through there! The Scandinavian countries are very much on Phil’s mind. Dean and Phil discuss how high those countries rank on the list of “happiest” countries and how low the USA ranks. Two recent Scandinavian horror films (this past year’s Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world’s first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of “The White Lotus”, while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Dean is on a crazy road trip from Detroit, one that has led him to Des Moines and Denver. What city beginning with “De” will be his next stop? You will find out! The show opens with a tale of bad behavior by one of the biggest stars currently living in the Hollywood Hills. The latest on the Rust on-set shooting tragedy, and ensuing legal chaos, gets covered. A holocaust survivor-turned-sitcom star, the composer of one of the most iconic themes in cinema history, and an Oscar-nominated filmmaker all get remembered in “Celebrity Deaths”. A whole mess of 2022 movies get reviewed, including leading “Best Picture” hopeful Women Talking, as well as The Woman King, Where the Crawdads Sing, and The Outfit. An overlooked noir-ish classic from Carol Reed gets reappraised, as does a Nazi gold caper film from the 1970s, and a truly bizarre satire about presidential assassination from the author of “The Manchurian Candidate” and “Prizzi’s Honor”.