Is Dean Haglund embracing his madness with a new sleep schedule? And what is his favorite episode of “The X-Files”? These are but two of the questions asked and answered on this week’s show, which also features celebrations of the great comedian (and comedy writer) Paul Mooney and the great comic actor (and provocateur) Charles Grodin. Phil hates when old white guys (like himself) complain about “woke” culture so he gets out his soapbox to rant about it before shining a spotlight on the insidious global conspiracy to … convert people to Hinduism? Apparently in Alabama, elected officials think that’s a thing! After that journey down the rabbit hole, which includes discussion of yoga, meditation and desserts, Dean and Phil tackle three overlooked movies from 2020: Armando Iannucci’s The Personal History of David Copperfield, the documentary Dick Johnson is Dead, and the “weird western” from Brasil, Bacurau. Are movie theaters going to make a comeback? And if so, will projecting movies on FILM actually play a part in this comeback? Your friends in podcasting having thoughts about this!
It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.