Next Monday, your friends in broadcasting and podcasting will return with a brand new “live” show that will catch you up on all the news of the season. This week, it’s part two of the road trip adventure Dean and Phil recorded on Friday December 9 when they drove from downtown Los Angeles to Montecito and back. The Sight and Sound poll of the greatest films ever made, the #16 film on that poll, surrealism, dream logic, and the works of Luis Bunuel and Salvador Dali are the topics that open the proceedings. Then, after a shift to the (very loud) Summerland Beach Café, Phil tackles two films making a lot of Top Ten Lists this year: the donkey adventure tale EO and the latest from auteur Robert Eggers, The Northman. Please bare with the difficult audio, for soon Dean and Phil will be back in the car, riding alongside the sparkling blue Pacific and discussing the Netflix series “1899”, the improv collaborations of Jonathan Winters and Robin Williams, and whole lot of casting “what-ifs”. There is also analysis of a law-change benefiting sexual assault survivors, and a fascinating “trash talk” interaction in the National Basketball Association. Hop in and buckle up!
After a cold open in which Dean Haglund and Phil Leirness celebrate the fact that YOUR Chillpak Hollywood Hour becomes a teen-ager this week, they launch into what they do best, trying to make sense of a (Covid-19) world gone wild with humor, insight, irreverence and inspiration. In the return of “Wingnut of the Week”, Dean and Phil offer a wag of the finger at Covid-19 conspiracy theorists and a doff of the cap to UFO “truthers”. In “Celebrity Deaths”, they pay tribute to a true titan of comedy publishing and filmmaking, an international star who broke big in both Bollywood and Hollywood, a character actor-turned-casting director, an influential folk singer, and the musician who turned Hugh Grant into a pop star! Then, your friends in podcasting tackle how Covid-19 will affect the up-coming television season, and how it will affect the Oscars, before turning their attention to what years in cinema might rival 1962 as the best year ever for movies!