Dean and Phil knew they were going to be celebrating the career of the great actor and star James Caan on this week’s show and then the floodgates opened, with many beloved character actors exiting the stage, so after a brief and hilarious cold open, Season 3 Episode 23 begins with “Celebrity Deaths”. Then, the whole concept of “celebration” as a lost “art” gets explored, before your friends in podcasting use it as a springboard to discuss several current television series and a handful of truly brilliant performances. The big screen will not be ignored either, as the cinematic output of Edgar Wright gets examined through the prism of his recent ghost story (Last Night in Soho) and a baseball comedy classic from the 1970s gets revisited.
Dean and Phil get the ball rolling by discussing the most “fun” (?) cities in California. Then they discuss the role film critics play as we emerge from a pandemic. The quality and box office fortunes of The French Dispatch, The Eternals, Last Night in Soho, Dune, Venom: Let There Be Carnage and No Time to Die get analyzed and discussed. Phil sings the praises of a great Japanese film, a legendary Japanese actor, and a charismatic Japanese pop star. Dean sings the praises of Benedict Cumberbatch and his new film about a famous artist. Phil sings the praises of Mike White’s satirical “The White Lotus” and tackles the controversy surround Dave Chappelle’s “The Closer” from a much different angle. Finally, Dean intrigues Phil with his description of Channing Tatum’s Amazon Prime series “Comrade Detective”.
The show begins this week with a lot of questions for Dean. What is Sci-Fi Valley Con? Who is Julian? There is/was a TV show called “Supernatural”? Is Detroit really Canada’s Tijuana? And a listener wants to know if Dean got bit by a monkey on “The Lone Gunmen”! You will learn the answers to all these and many more, including what Dean and Phil think of the controversy surrounding Dave Chappelle’s latest Netflix special. You will also learn about one of the greatest voices in comedy, about perhaps the greatest Hammond organist of all time, and about one of the most groundbreaking indie filmmakers of all time in “Celebrity Deaths”. After the break, Dean and Phil offer analysis on the new James Bond film’s box office performance in the USA and put that performance into historic context. They will do the same with the film’s quality. Finally, they will reveal what upcoming movies might get them to go back into a movie theater in the coming weeks.