This week’s show begins with a cold open about a … last week’s cold open! Lord Turlock then shows up to explain the unique heat patterns of the town of Turlock. From there, Dean and Phil discuss their pal, David Dean Bottrell’s remembrance of working with Anne Heche. That leads into “Celebrity Deaths” and celebrations of not only Anne Heche, but of filmmakers Wolfgang Petersen and Bob Rafelson, and actor David Warner. Then, Dean and Phil discuss movies, including Jordan Peele’s Nope, David Lynch’s Lost Highway and John Huston’s Reflections in a Golden Eye. Finally, Phil hails the finale of “Better Call Saul” and he and Dean re-visit “The Lone Gunmen” wondering what could have been if show-runner Vince Gilligan had been given the opportunity he was given on the sequel/prequel series to “Breaking Bad”.
Dean is back in the environs of the Motor City, Phil is back in Los Angeles, and they have a lot to discuss on this week’s show … Phil asks Dean about his SoCal travel adventures and about Dean’s grandfather, a truly remarkable man. Dean and Phil preview new seasons from two utterly terrific television series and also discuss a current show you might just want to check out. The box office is, at long last, seemingly revived and there are a lot of movies out! Dean and Phil discuss some of them, but pay particular attention to the return of Ke Huy Quan, a new Chris Pine spy vehicle, a classic 1960s musical from France, an unusually personal 1981 detective film from Peter Bogdanovich, and the movie that features James Stewart’s all-time favorite performance he ever gave. In the return of “Celebrity Deaths”, several sitcom character actors, a beloved stand-up comic and voice actor, and a groundbreaking dancer, all get remembered.
Dean and Phil discuss the death of a genuine L.A. icon, the changes sweeping thru Phil’s beloved neighborhood, the “right” time to move, a TCM podcast about Peter Bogdanovich, his film Saint Jack, workplace safety on the films of Roger Corman and more thoughts on the recent releases The Last Duel and Nightmare Alley. All that, plus they celebrate the lives and legacies of a Nashville broadcasting giant, the “singer of the millennium”, a rock music superstar, three actors, a beloved comedian, a groundbreaking fashion maverick, and two historic figures from the world of sports.
Because people have asked, on this week’s show, Dean and Phil will explain (yet again) why this is “Season 2” of YOUR Chillpak Hollywood Hour! They will also follow up on last week’s “Twelfth Night” episode all about Shakespearean film adaptations with stories about Peter Greenaway’s Prospero’s Books, the Shakespearean qualities of Dennis Villeneuve’s Dune and HBO’s “Succession”, Ralph Fiennes being inspired by The Hurt Locker when he made Coriolanus, and James Bond producer Albert “Cubby” Broccoli making an unfortunate comment about Shakespeare while appearing at the UCLA film school in the 1980s. The bulk of this week’s show will be about celebrating the lives and legacies of genuine cultural giants: Joan Didion, Desmond Tutu, Marilyn Bergman, Betty White and Peter Bogdanovich. Several movies, several television shows, much music, great writing, inspiring humanitarian efforts, and one amazing school all get discussed.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
In the second of two face-to-face episodes recorded this past week while Dean was in Los Angeles, your friends in podcasting discuss two “Celebrity Deaths” and three current cinematic releases. The creator of “SpongeBob SquarePants” and the woman who co-wrote “American Graffiti” and who gave Princess Leia her fighting, courageous spirit are the celebrities remembered by Dean and Phil. The documentary “They’ll Love Me When I’m Dead” (about Orson Welles’ 15 year-long effort to make the unparalleled “The Other Side of the Wind”), the heist thriller “Widows” from director Steve McQueen (“Shame”, “12 Years a Slave”) and “If Beale Street Could Talk” from director Barry Jenkins (“Moonlight”) are the movies Dean and Phil go into great depth discussing. on YOUR Chillpak Hollywood Hour.