In a cold open, Dean and Phil share how impressed they are with an animated short made by the college student son of one of Phil’s high school classmates. In the return of “Lawsuit of the Week”, the most recent threats and developments surrounding Paramount’s desired merger with Warners get fully explained and analyzed. Phil shares sadness surrounding the impending departure of longtime favorite son of Los Angeles, Gustavo Dudamel, who is leaving the L.A. Phil to take over the New York Philharmonic. A great story about Lily (Holleman) Leirness’ encounter with Dudamel gets shared. Dean has started watching “Diarra from Detroit” at Phil’s urging and loves it! A loyal listener has a slight correction to something Dean said on the recent, epic episode of “Deep Dive” exploring 1940s Film Noir. Phil follows up on a couple of films discussed in that show, offering greater context to the writing of The Stranger (1946) and Sidney Greenstreet’s performance in The Maltese Falcon (1941). Chris Carter’s “director’s cut” of the 2nd “X-Files” movie has been released and … Dean and Phil have thoughts. Phil re-watched Citizen Kane, which inspires in-depth discussion of that film’s continued greatness and resonance, and which inspired his watching the recent Japanese psychological suspense film Exit 8, a film Dean is now ready to reappraise!

In some ways, Dean Haglund and Phil Leirness pick up where last week’s show (the one thousandth episode of YOUR Chillpak Hollywood Hour) left off, by reminiscing about a couple of their early years spent “changing the way people listen to the internet” and by examining more in the shifting release strategies for television and the viewing habits of television viewers. They also go deeper still into the issues surround the soon-to-be-litigated proposed Paramount merger with Warners. They continue their ongoing analysis of the potential benefits, and current costs, of our evolving relation to Artificial Intelligence. They also discuss one video game movie, one sci-fi comedy from the 1980s, and one current samurai era “whodunit”. They share their love of a raft of different contemporary television series and reveal which streamers they enjoy the most and which shows keep them excited between seasons. Also, they preview this week’s release of an R-rate “director’s cut” of the second “The X-Files” feature film!

In a truly confusing, but nevertheless hilarious, cold open, Phil offers a correction about “Malta Air”. Thanks to emails from loyal listener and frequent contributor Maurice Terenzio, Dean and Phil have a ball talking about three great actors of Hollywood’s golden age: Joe E. Brown, George Raft and Edward G. Robinson. The big show biz news of the week get discussed: the possible halt to the Paramount-Warners merger and the historic box office success for Christopher Nolan’s The Odyssey. Two new movies get reviewed: The brilliant comedy Stop! That! Train! and the hit Netflix offering Enola Holmes 3. Of course, Dean and Phil continue their ongoing film noir and neo-noir discussion, focusing on the nihilism of the 1970s as depicted in such modern classics as Arthur Penn’s Night Moves and the Paul New man vehicle The Drowning Pool. Finally, colleague Marc Hershon (star of the “Chillpak Hollywood Presents …” podcast Television with Marc Hershon) drops in to help your friends in podcasting come up with ideas for how they can commemorate their upcoming 1,000 episode, and to discuss ideas for Phil’s next movie, a documentary all about improv!

After comparing notes on their forthcoming respective travel plans, Dean and Phil roll up their sleeves and discuss the 25th anniversary of “The Lone Gunmen” series. Then, in what will be a multi-week exploration, they begin to delve into Time Out’s list of the 100 Greatest Movie Theaters in the World that are still in operation. The movie business is foremost on their minds these days, and they pose some of the big, perplexing questions regarding the possibly sinister and definitely nonsensical merger of Paramount with Warner Bros. Then, because it’s STILL awards season, they tackle the really odd, almost desperate nature of the recent SAG-AFTRA “Actor Awards” on Netflix. As a bonus, you will learn what the following phrases uttered by Dean Haglund in this episode actually mean: “We made the Ramones cry!” and “funky, artisanal whatever”.

Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

Dean is back from his birthday break and reveals just how he celebrated. Phil went to Montecito to prepare for a big show and has tales of a spectacular venue on the water. Have Dean and Phil been watching the Olympics? We find out. Last week, one special guest, Marc Hershon spoke about all that is excellent in television right now and Phil follows up on that by singing the praises of Season 3 of HBO’s “Hacks”. The other guest last week was archivist and global cinema expert Jeff Briggs, and Phil follows up on their discussion of the legendary “Queen of Swords”, Cheng Pei-Pei, by describing two films of hers that he really wants to see. Dean reveals the film HAS seen, the current horror thriller Longlegs, while revealing all his thoughts about the top ten films at the box office. Phil discusses the new documentary starring Martin Scorsese about the greatest filmmaking team of all time, while also singing the praises of one of that team’s most romantic works. The show Phil hosted this past week serves as the “Live Event of the Week” and Dean and Phil end the show by remembering a French movie star, a brilliant sketch comedy and sitcom performer, and a British blues legend in “Celebrity Deaths”. And if you want to check out Phil’s “other” podcast – “The Voice of Los Feliz” – we hope you will! It’s part of his new free Substack that you can find HERE!

This week’s brand new show is a whole lot of fun, with a cold open (about Dean’s former website), a special guest appearance (from Siren FM’s Alex Lewczuk), a discussion about why certain movies (especially in the “Star Trek” universe) seem like movies, whereas others seem like TV episodes, a review of Doctor Sleep, a celebration of Stanley Kubrick, an analysis of an all-time great movie monologue delivered by a powerhouse actress (Nicole Kidman), and a remembrance of actor-producer Kirk Douglas, along with a thoughtful conversation about the messy business of appraising legacies.