This week’s show spans three weeks, three cities, and three different time zones. It starts with a conversation about the Detroit Institute of Art and the “Murder She Wrote” board game, recorded in Birmingham, Michigan, during a terrifying storm. It continues with a conversation recorded for last week’s show about a message Dean received from a fan and about Phil’s enjoyment of the FX revival series “Justified: City Primeval”. Then, after the break, Dean checks in from Minneapolis and the PhileFest celebrating the 30th Anniversary of “The X-Files”. He reports on all the goings-on, including the comedy, the fans, the stars and the possibly forthcoming reboot of the show from Ryan Coogler. Finally, Dean and Phil turn their attention to the just-concluded Venice Film Festival, to an award-winning Japanese filmmaker and to movies made in secret.

Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.