This weekend, your friends in podcasting got together on the pool deck of a certain “historic building in downtown Los Angeles” and boy did they have a lot to discuss! The status of downtown, Dean’s travels AND his official “wedding engagement” get covered. The Olympics closing ceremony and Tom Cruise’s role in it get revisited. The “Live Event of the Week” is “Duo it Again” a brilliant and psychedelic game of telephone that is the hottest party you can find on a Tuesday night in Los Angeles. There is movie news involving Joaquin Phoenix doing one of our greatest filmmakers and a maverick indie producer “dirty” and Phil and Dean both have more thoughts about Wolfs losing its wide theatrical release. Casablanca on 4K and Beverly Hills Cop: Axel F on Netflix both get reviewed. A whole lot of reference to the great documentary Los Angeles Plays Itself gets made throughout the show. Finally, a groundbreaking comedy radio producer-turned television writer and the peerless Gena Rowlands both get remembered in “Celebrity Deaths”.

This show runs the gamut geographically from the U.K. to Detroit, and from Los Angeles to Laguna Beach. And it features a wide array from topics, including the supposed demise of radio in general, the new hopes for one station’s programming in particular, the death of a great actress, the acquisition of a legendary Hollywood company, and the latest (and final?) news in the prosecution of Alec Baldwin. There are also a slew of TV and movie reviews, including “Tulsa King”, MaXXXine, Remembering Gene Wilder, I Used to Be Funny and Janet Planet. Join Dean Haglund, Phil Leirness and special guests Alex Lewczuk and Lily Holleman as they bring you the insightful, the irreverent, the inspiring and the deeply felt. And if you are so moved, please visit https://www.crowdfunder.co.uk/p/witham-radio/. Donate if you can and share if you will.

We hope you are hungry this week because Dean and Phil are serving up Detroit-style pizza, Japanese-Italian fusion, and red, white and blue margaritas! They discuss their 4th of July activities, celebrity sightings of a Supreme Court Justice and a former President of the U.S., modern and contemporary and text-based art, and a classical music “Live Event of the Week”. In “Celebrity Deaths”, one of the greatest screenwriters of all time and a beloved musician-turned-comic actor-turned artist both get remembered. A television show set in Tokyo and another set in Detroit both get discussed. Then Dean reviews the latest movie featuring everyone’s favorite Detroit cop, the brand new Beverly Hills Cop: Axel F and Phil previews three very cool sounding movies that debuted at the Cannes Film Festival in May. All in all it is a delicious and nutritious feast for the senses (at least your hearing) and for your funny bone!

This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.

The best thing about being podcast-only (again) is that for the first time in years, Dean and Phil can produce shows of whatever length tickles their fancy. Indeed, this week’s Chillpak Hollywood Hour gives you more than 10% more “hour”! The show begins with a cold open, wherein Phil reveals that he is not the only filmmaker who gets upset when other filmmakers don’t follow the rules they themselves have set up for a particular movie. In this instance, it’s Quentin Tarantino taking a much-loved modern horror classic to task. Then, Phil briefly revisits his recent travels to Catalina and Dean’s forthcoming travel plans, revealing that Dean has added a NYC trip to the mix in order to see a little-known, conceptual gem of a gallery. Phil previews where he will be spending Independence Day this year, and how a re-watch of Jim Jarmusch’s early classic Mystery Train has him jazzed to visit Memphis (and Graceland!) again this November. Standing ovations at Cannes, the impending financial train wreck that is Kevin Costner’s multi-part big-screen Horizon: An American Saga, and Denis Villeneuve’s Dune: Part Two all get discussed. Phil then reveals the latest news regarding a potential defamation lawsuit against Netflix and “Baby Reindeer” and explains why he is willing to now give the show and its creators the benefit of the doubt. After discussing the brilliance of actor Dabney Colemna and how Phil once ruined a birthday party for the 9 to 5 star, the “Funniest Man in America” and a groundbreaking recording engineer get remembered before “Celebrity Deaths” turns into a quiz testing Dean’s cultural/show biz literacy. Finally, after a brief musical interlude, Dean re-joins the festivities, this time from London, where he files a “boots on the ground” report. Phil concludes by previewing next week’s show, including an extraordinary adventure he took to the Integratron!

Two weeks shy of their 17th anniversary show, Dean is in Washington D.C. and Phil is in “The Hub of Silicon Valley”, and via the magic of podcasting and broadcasting, they bring you this week’s show, featuring discussions about silent film classics, the Japanese art of the Benshi, a ground-breaking and star-studded new production of “MacBeth”, current iterations of “Star Wars” and “Star Trek” on the small screen, a genre-bending private detective series on Apple TV+, and hilarious stories about airports and Dean’s efforts to give his dogs an Instagram presence.

Last week, Dean and Phil got Season 4 of YOUR Chillpak Hollywood Hour underway with an hilarious and fascinating installment recorded in the nation’s capital. This week, Dean is back in Detroit, Phil is back in Los Angeles, and they have a ton to follow up on, as well a great deal of show biz to news to catch up on! Here is just some of what they have on their agenda: Dean’s thoughts about the need for all-encompassing cultural experiences, highlights (and lowlights) from his D.C. adventures with friend of show John Kay Steel, two inspiring live events Phil attended this week, the avalanche of movie and television award news, a juicy celebrity-laden “Lawsuit of the Week”, and several “Celebrity Deaths”.

Last week, Dean and Phil said hello to 2024 and said goodbye to “Season 3” by welcoming a special guest and discussing their creative intentions for the year. This weekend, Dean and Phil got together in the nation’s capital to get “Season 4” underway by swapping stories about art galleries, historic battlefields, historic D.C. clubs, the James Webb Space Telescope, New Jersey restaurants, Wim Wenders and his 3D documentary about the artist Anselm Kiefer, and a whole lot more. A whole lot of laughs ensue!

The bulk of this week’s show is comprised of two pre-recorded interviews with special guests. The first was a conversation between Phil and Eric Kurland, the pre-eminent authority on the art, science and history of 3-D. The second was recorded last weekend on Santa Monica Boulevard in Hollywood outside the Broadwater Plunge (with a live audience of one, who ends up playing a supporting role), as Dean and Phil hoped to catch up with their friend Eric Mark about his recent trip to the Sundance Film Festival, the successful sci-fi podcast he produces, his many game show appearances and the harrowing health travails he has endured. Only the last of these really gets much coverage in a freewheeling, head-spinning, hilarious conversation on the mean streets of Hollywood.

Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year.