In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

On this week’s brand new installment, friend of the show and great music journalist Yoshi Kato joins Phil to celebrate the life and legacy of the brilliant composer, musician and actor Ryuichi Sakamoto, who died at the age of 71. Then, Phil and Dean welcome back Eric Mark, who gives a full report on this year’s Sundance Film Festival, regales with stories of performing on “the game show circuit”, and tells all about the popular sci-fi podcast he co-produces and acts in, “Broken Road”.

 

Today on the show, Dean and Phil discuss “There Will Be Blood” in detail (without giving away the ending, of course). Phil reveals what his guilty cinematic pleasure is (Six times, Phil? That’s a lot!). Phil’s most controversial comment ever uttered on these airwaves (or, uh, cyberwaves? Podwaves?). Dean and Phil prep for their Best of 2007 show.