Dean’s back in Sydney, Australia, Phil is back from The Magic Castle in Hollywood, and they embark on a fast-paced 67 minute odyssey into the realms of magic, comedy, art, classical music, vintage cars, vintage music boxes and much more …

Jerry Lewis, Mozart, Houdini, Valentino and Gershwin are just some of the big names that get discussed.

There are 7 lives celebrated in “Celebrity Deaths”.

There are multiple “Live Events of the Week”.

There are full details about Dean’s return to (season 11 of) “The X-Files”. Are The Lone Gunmen really back? Or do they appear in a flashback or hallucination or dream sequence or the like? Who wrote and directed the episode Dean shot this week? All these questions are answered by Dean.

YOUR Chillpak Hollywood Hour. Buckle up. Enjoy. And share with someone you love …

In many ways, this week’s show is a sequel to last week’s episode #534, with the promised celebration of Jeanne Moreau’s life and career, an email from a listener about Tom Jones’ “The Young New Mexican Puppeteer” and more from the British Film Institute List of “the 50 films you should see by the age of 14”.

Unlike most sequels, however, this show is even more irreverent, insightful and informative than last week’s!

The festivities commence with a clip of Dean on Australian television telling a (bestiality?) joke, and then after a special opening (a tribute to Glen Campbell), Dean comes out guns blazing, ranting about the internet speeds of his adopted land. After Phil calms him down, they discuss the news of David Letterman’s new show, they urge people to save the Salem Cinema (a jewel of the Pacific Northwest), they talk about an interview they did with the late Jim Marrs and they continue their discussion about the “death of discernment”, this time focusing on an appalling memo crafted by a then member of the National Security Council.

 

From there, it’s onto “Celebrity Deaths”, where, in addition to the Femme Fatale of the French New Wave and Glen Campbell, your friends in podcasting remember a Tony-winning star of Broadway’s “The Music Man”, the star of an early television western series turned right-wing anti-government activist, and the man inside the Godzilla costume.

Finally, Dean and Phil discuss a 1982 Australian western, a 1954 western that influenced the likes of Sergio Leone and Sam Peckinpah, the original King Kong, and the Will Rogers comedy Life Begins at 40.