Dean flies into Los Angeles. Phil picks him up at LAX. You get into the back seat. Highway adventures and high fidelity hijinks ensue! The first two-thirds of this week’s show are recorded during Dean & Phil’s drive to downtown L.A. as they discuss Dean’s upcoming two-man improv show, his future performing plans, his prolific productivity as a fine artist, how his life would be different if he still lived in Los Angeles, raunchy historic romance novels, the origins of Vaudeville, and more. After a short musical interlude, the conversation continues from “high atop the historic core of downtown Los Angeles” in the “art deco masterpiece that IS the Eastern-Columbia Building”. The final third of the show touches on such topics as the aurora borealis, Dean’s upcoming European steampunk wedding, and the influence of the great British director Michael Powell on the life and work of Martin Scorsese. Finally, in “Celebrity Deaths”, Dean and Phil celebrate the brilliance of Quincy Jones. There are a couple great Frank Sinatra stories to boot!

After traveling across the country (on Spirit Airlines), Phil has been laid up all week, sick as a dog. Dean has been avoiding the dazzling nighttime Aurora displays put on by the current solar storm. They both have a great deal of show biz news, views and reviews on their minds, however. First off, Dean previews the forthcoming Ryan Coogler-led “X-Files” reboot, hipping us to its premise. Then, he and Phil make sense of the Ryan Gosling-starring The Fall Guy, both appraising its merits and explaining its box office failure. The future of action as a genre on both the big and small screens gets analyzed. Jerry Seinfeld’s utterly silly, possibly sly Unfrosted and the seething reaction to it get dissected. Everybody’ seems to love Netflix’s new series “Baby Reindeer”, except for the possibly defamed subject of it! Dean and Phil come at this one from all angles. Finally, Phil explains what went wrong with Taika Waititi’s recent true-life sports comedy Next Goal Wins and expresses confusion over why Hulu’s “The Bear” is considered a comedy.