Happy St. Stephen’s Day, Happy Boxing Day, Happy (final day of) Hanukkah AND Happy 2nd Day of Christmas! Dean and Phil celebrate it all by comparing notes on their holiday celebrations, by sharing stories of Dean’s jury duty and of Phil’s cross-country travels with THE Fuzz Aldrin! Film critics everywhere have been weighing in on the best movies of 2022. Dean and Phil will check in on their consensus picks (thus far). They will also discuss a handful of current and recent releases, including Guillermo Del Toro’s “Pinocchio”, the dark satire “The Menu”, Ti West’s “X” and “Pearl”, and they re-visit the recent comedy actioner “Bullet Train”, using it as an excuse to analyze the work of Ryan Reynolds, and to celebrate the greatness of Michael Shannon.
Next Monday, your friends in broadcasting and podcasting will return with a brand new “live” show that will catch you up on all the news of the season. This week, it’s part two of the road trip adventure Dean and Phil recorded on Friday December 9 when they drove from downtown Los Angeles to Montecito and back. The Sight and Sound poll of the greatest films ever made, the #16 film on that poll, surrealism, dream logic, and the works of Luis Bunuel and Salvador Dali are the topics that open the proceedings. Then, after a shift to the (very loud) Summerland Beach Café, Phil tackles two films making a lot of Top Ten Lists this year: the donkey adventure tale EO and the latest from auteur Robert Eggers, The Northman. Please bare with the difficult audio, for soon Dean and Phil will be back in the car, riding alongside the sparkling blue Pacific and discussing the Netflix series “1899”, the improv collaborations of Jonathan Winters and Robin Williams, and whole lot of casting “what-ifs”. There is also analysis of a law-change benefiting sexual assault survivors, and a fascinating “trash talk” interaction in the National Basketball Association. Hop in and buckle up!
Hop into the car, and head up the California coast with Dean and Phil on this week’s rollicking, free-flowing show! Your journey begins on the mean streets of downtown Los Angeles (just outside a certain “historic building”) and concludes by a babbling creek in the tree-lined splendor of Montecito. At those destinations, and at locales in between, your friends in podcasting and broadcasting opine on a wide variety of topics, including Trevor Noah’s final “Daily Show”, Paramount Ranch, P-22, the DVD Dean once made of a road trip with his father, the life and death of Jordan Maxwell, the career and death of Kirstie Alley, and the turmoil behind-the-scenes in the DC cinematic universe.
Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.