We are one week away from Dean Haglund and Phil Leirness celebrating 19 years of “changing the way people listen to the internet” through YOUR Chillpak Hollywood Hour (now the flagship of the “Chillpak Hollywood Presents” expanded universe of podcasts on Substack). On this week’s show, Dean and Phil come to humorous grips with just how long they have been doing this show through discussions of celebrity deaths and conspiracy theories surrounding dead and missing scientists. They also go deep on the, perhaps unfortunate, legacy of “The X-Files” inspiring people to “trust no one”, especially when it comes to journalists. Two great Vietnam War films get discussed briefly before an in-depth discussion about all that is wrong AND right with the recent blockbuster Project Hail Mary, as well as the most recent installments in both the Predator and John Wick cinematic universes.

This week’s show begins with Dean and Phil discussing the World Baseball Classic and sharing (and answering) an email from a loyal listener who wanted to celebrate the recent 25th Anniversary of Dean’s series “The Lone Gunmen”. Recorded on Sunday morning before the Oscars (and before the big “Firefly” announcement), the bulk of the discussion surrounds what Dean and Phil are looking for at Hollywood’s big night. They discuss how talented filmmaker and entertaining video host Ryan Casselman might just have devised scientific formulae for “decoding” Oscar voting. The controversy surrounding Timothée Hal Chalamet’s comments regarding ballet and opera get full analysis. Then, five films go under the microscope, including two by classic thriller director Henri-Georges Clouzot, two tales of nuclear paranoia from Oscar-winner Kathryn Bigelow, and the multi-Oscar-winning 1983 classic Tender Mercies.

After comparing notes on their forthcoming respective travel plans, Dean and Phil roll up their sleeves and discuss the 25th anniversary of “The Lone Gunmen” series. Then, in what will be a multi-week exploration, they begin to delve into Time Out’s list of the 100 Greatest Movie Theaters in the World that are still in operation. The movie business is foremost on their minds these days, and they pose some of the big, perplexing questions regarding the possibly sinister and definitely nonsensical merger of Paramount with Warner Bros. Then, because it’s STILL awards season, they tackle the really odd, almost desperate nature of the recent SAG-AFTRA “Actor Awards” on Netflix. As a bonus, you will learn what the following phrases uttered by Dean Haglund in this episode actually mean: “We made the Ramones cry!” and “funky, artisanal whatever”.

Phil is playing hurt with a nasty head cold. Dean is braving the sub-zero temperatures. And somehow, they manage to bring you one of the most epic installments yet of YOUR Chillpak Hollywood Hour! They start the show by discussing some of the upcoming 2026 cinematic releases that the Criterion Collection has on their list of the films they are most anticipating. Then, they analyze the Academy Award nominations, the surprises, the snubs, and the historic trends they see unfolding. From the best in cinema 2025 to the worst in cinema, an email from a loyal listener inspires Dean and Phil to discuss the Razzie Awards. Finally, your friends in podcasting wrap things up by revealing each of their lists of the five films that angered them, frustrated them, or downright confused them in 2025.

On this week’s show, Dean Haglund is finally using a microphone once again. It makes his audio better, to be certain, but somehow it also manages to create several cameo opportunities for his dogs! Don’t let those moments dissuade you, however, as this week’s show is an utterly fascinating conversation between Dean and his longtime co-host Phil Leirness. They go deep, discussing the potential sale of Warner Bros. to Netflix, the life and legacy of perhaps the greatest American architect of all time, Frank Gehry, and the truly spine-chilling lessons we can learn from the Nazis’ film policy.

In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

Phil is in Montecito, California. Dean is ALMOST back into his house in Birmingham, Michigan. They got together via the magic of podcasting (and zoom) to discuss: The week that was for “Cobra Kai” star Martin Kove, the latest company splits for “Legacy Media” conglomerates, and California’s now official increase in the annual Film & TV Tax Credit funding. Wes Anderson and The Phoenician Scheme, Apple and their F1 and Fountain of Youth, the Indiana Jones films, Bong Joon Ho and Mickey 17, and the “Mission: Impossible” films all get deep dive analyses as well.

One month from their 18th Anniversary (of changing the way you listen to the internet!), your friends in podcasting are still recovering from their European Adventures and during this week’s installment they start by discussing the Marx Brothers, and end by revealing architecture and fine art discoveries they made while overseas. In between, they discuss the Netflix CEO declaring war on movie theaters, a movie soon leaving Netflix, and a quite lovely, moving film just released to theaters. And in “Celebrity Deaths” character actor Bruce Glover, king of the miniseries Richard Chamberlin, and movie star Val Kilmer all get remembered.

Phil is in Los Angeles, Dean is back in home in Detroit (or its environs) and normalcy is restored on this week’s show. Dean offers up his final thoughts about Lisbon, shares the status of his ongoing home renovations, and weighs in on the in-flight movies he availed himself of: John Woo’s remake of his own The Killer and a zombie dog horror film from South Korea. Phil weighs in on a once-great television series that has jumped the shark and a great spy film from Steven Soderbergh that is meeting with box office failure. The state of the box office, film distribution, and what can be done to fix all of it gets analyzed. Then, in “Celebrity Deaths” two great character actors, two chart-topping music-makers, a heavyweight champion turned grillmaster, and a philanthropist who championed architecture all get remembered.

The first show of 2025 find Dean and Phil in good form and discussing a wide array of topics including the landscape and geography of NY’s Central Park, nature photography, the It Ends With Us controversy and lawsuit, and the near future of motion picture distribution both theatrically and via streaming. The truncated nature of this year’s mad dash Awards Season will get analyzed before the Netflix series “Man on the Inside” gets reviewed. Then, your friends in podcasting roll up their sleeves to re-examine Netflix’s 2018 film The Christmas Chronicles and offer their thoughts on the Ralph Fiennes-Juliet Binoche starrer The Return as well as the brilliant Nickel Boys and the reviled (and misunderstood?) Joker: Folie a Deux. Finally, thoughts regarding the suicide of filmmaker Jeff Baena are offered and Ralph Fiennes closes the show by being very “demure”.