After a brief cold open about Halloween, Thanksgiving and Christmas, Dean and Phil switch gears from the Holiday Season to “Awards Season” as they tackle a handful of this year’s award hopefuls, including Tár, Don’t Worry Darling, The Menu, Cate Blanchett and Ralph Fiennes. There is a brand new “Lawsuit of the Week” AGAIN involving the tragic Alec Baldwin-starring western Rust. An email from a loyal listener like you (yes, YOU!) about a celebrity death will be followed by … “Celebrity Deaths”! A versatile actor, a comedy impresario, and a legendary prop comic have their lives and legacies celebrated. All that, PLUS Phil shares a hilarious account of a recent 50th high school reunion.
This week’s show opens with a brief interview with one of the stars of a “Live Event of the Week”. Dean is in Washington, D.C. and he gives a full report on one of the most beautiful road trip sights he has seen and an exhibit at the National Gallery focusing on Joseph Singer Sargent. Phil has just returned from his (penultimate?) trip to Turlock to finalize “family business” and he is in an exhausted, tormented, philosophical mood, opining on family, marriage, and alternate universes. The comedy of the Marx Brothers, Billy Wilder, Marilyn Monroe and See How They Run gets dissected, and in “What We’re Reading” the art of Edward Hopper, the comedy of Martin Short and the poetry of Betsy Holleman Burke get discussed. Finally, in “Celebrity Deaths”, the lives and legacies of a Canadian voice actor, a Japanese star of an American miniseries, a blues singer, a sitcom producer and a law student-turned-best selling novelist all get explored.
This week’s show begins with a cold open about a … last week’s cold open! Lord Turlock then shows up to explain the unique heat patterns of the town of Turlock. From there, Dean and Phil discuss their pal, David Dean Bottrell’s remembrance of working with Anne Heche. That leads into “Celebrity Deaths” and celebrations of not only Anne Heche, but of filmmakers Wolfgang Petersen and Bob Rafelson, and actor David Warner. Then, Dean and Phil discuss movies, including Jordan Peele’s Nope, David Lynch’s Lost Highway and John Huston’s Reflections in a Golden Eye. Finally, Phil hails the finale of “Better Call Saul” and he and Dean re-visit “The Lone Gunmen” wondering what could have been if show-runner Vince Gilligan had been given the opportunity he was given on the sequel/prequel series to “Breaking Bad”.
Because Phil had to travel to Turlock, that means two things for this week’s show: 1) It features a cameo by Dean’s “Lord Turlock” character, and 2) The show was pre-recorded. And it’s a good one, wherein Dean and Phil drill down into the improv form known as “deconstruction” in “Live Event of the Week” and while posing the question “Why can’t we have nice things?” the bombing and destruction of the Georgia Guidestones gets discussed. In a “What We’re Reading” all about the FBI, the influence of “The X-Files” and misogyny, Dean provides a full book report on a terrific work in anticipation of its author being a guest on a future episode of YOUR Chillpak Hollywood Hour! Instead of “Celebrity Deaths”, your friends in podcasting (and broadcasting) celebrate the 100th birthday of Hollywood’s greatest icon, which leads to favorite stories about Kenny Rogers and Steve Martin. Finally, the Emmy Award nominations get unpacked, with Phil wagging a finger at the omissions of “Reservation Dogs” and Selena Gomez, and particular attention gets paid to “Abbott Elementary” and to the horse race for Best Supporting Actor in a Drama Series.
This week, Dean and Phil discuss a limited television series about the making of “The Godfather”, Season 3 of Amazon’s “The Boys”, the new AMC series “Dark Winds”, and whether Dean was ever in an episode of “Lonesome Dove”. Phil’s travels to Turlock get talked about, as do lava rocks, the recent planetary alignment, Lily’s final week as president of The Los Angeles Breakfast Club, safety (or “warning”) art, and Braille Institute’s Braille Challenge. Your friends also respond to emails, tweets and texts from loyal listeners like you (yes, you!), pertaining to such topics as Kim Novak, the oft-discussed Skidoo, Jean Harlow, whether last week’s episode was a paid advertisement, and “Celebrity Deaths”.
Phil has been chasing trains all over California and he has stories. St. Patrick’s Day was this past week and Dean and Phil have jokes about that. In “Celebrity Deaths”, Oscar-winning actor William Hurt gets remembered and the controversy surrounding celebrations of his legacy will get examined. Star of the original “Godzilla” and a great story about him get discussed, and before the Chillpak Morgue closes, R&B great Timmy Thomas has his praises sung. This is, of course, the biggest week in Hollywood and Dean and Phil “go to the movies” to discuss Steven Spielberg’s next film (a sequel to a 1960s classic), the brilliance and pain and artistry of Richard Pryor as seen in Richard Pryor Live on the Sunset Strip and the inspiring visual storytelling on display in the works of Paolo Sorrentino, specifically his current Oscar nominee for Best International Film, The Hand of God.
Phil is back from Hawaii and bringing with him observations about how the islands AND America have changed since he last visited the spots he traveled to (24 and 36 years ago respectively). He and Dean bring back “What We’re Reading” after a lengthy absence, and the discussion of books will lead to discussions of comedy, the Golden Age of Radio, watercolor painting and YouTube instructional videos! In “Celebrity Deaths”, an Oscar-nominated star of M*A*S*H, one of the greatest comedy movie directors of all time, and the “Queen of Funk” all get remembered. The show concludes with an analysis of Sunday night’s Screen Actors Guild awards. What do the Film winners portend for the forthcoming Oscars, and whom did Phil and Dean vote for in these award categories? All that, plus what non-nominated film might be one of the very best of 2021?
Somehow, through almost 15 years of bringing you YOUR Chillpak Hollywood Hour free every week, Dean and Phil have never dedicated an entire show to the career, artistry and genius of Bill Murray. This week, that oversight gets remedied, as your friends in podcasting march right into the holidays by programming a film festival they are entitling “A Very Murray Christmas”. Featuring seven double features, discussion of numerous other titles, analysis of Murray’s zen approach to life, art, career and business, and an appreciation of some of his key collaborators through the year, we think this will be a particularly fun and festive hour!
After a funny cold open where Dean tells about another of his haunted house adventures, Dean and Phil kick off this week’s show by sharing what they are thankful for during this Thanksgiving week, Dean battling Covid-19, Phil reflecting on his mother’s death two years ago. The career of Dean Martin, his work with Jerry Lewis, and a terrific TCM documentary “Dean Martin: King of Cool” all get discussed. A great jazz film from the 1980s, Round Midnight, and the “sacred” aspect of cinema get celebrated. The box office success of Ghostbusters: Afterlife and No Time to Die get analyzed through a very optimistic lens. In “Celebrity Deaths”, Dean’s love of funk gets exposed, as two great funk stars get remembered, along with a star of HBO’s “Oz”. And speaking of HBO, Dean and Phil tease an upcoming discussion about HBO’s “Succession” and about Will Ferrell’s considerable behind-the-scenes clout in Hollywood.
The show begins this week with a lot of questions for Dean. What is Sci-Fi Valley Con? Who is Julian? There is/was a TV show called “Supernatural”? Is Detroit really Canada’s Tijuana? And a listener wants to know if Dean got bit by a monkey on “The Lone Gunmen”! You will learn the answers to all these and many more, including what Dean and Phil think of the controversy surrounding Dave Chappelle’s latest Netflix special. You will also learn about one of the greatest voices in comedy, about perhaps the greatest Hammond organist of all time, and about one of the most groundbreaking indie filmmakers of all time in “Celebrity Deaths”. After the break, Dean and Phil offer analysis on the new James Bond film’s box office performance in the USA and put that performance into historic context. They will do the same with the film’s quality. Finally, they will reveal what upcoming movies might get them to go back into a movie theater in the coming weeks.