This was not the show we expected to be bringing you this week, but all of a sudden, during their “side project” (“The Art Life” with friend of show Jon Lawlor), Dean started holding court about the current box office smash Superman. Suffice it to say, Dean had THOUGHTS! So, we bring you what ensued, a free-wheeling discussion not only of the James Gunn-directed blockbuster, but a discussion of DC comics’ history, of the character’s history, and of the lost art of behind-the-scenes documentary looks at the making of movies as promotional materials. Somehow, the conversation turns to Rob Zombie and his House of 1000 Corpses, to a “holy grail” of cinema for Phil that proved to be a guilty non-pleasure, Ashanti, and to Noah Hawley’s new Alien: Earth television series. All that, plus the Stallone film Dean walked out of, the horrible movie Nic Cage’s son starred in, why Iron Man turned out to be so good, the problem with reboots, and more!

Dean is back home in Birmingham, Michigan. Phil is at home in Los Angeles. They connect via Zoom to discuss the fire damage Dean witnessed while he was in L.A. last week, as well as his ongoing and evolving thoughts regarding Captain America: Brave New World which he caught up with on a flight. Phil has thoughts about the recent Mickey 17, and about the current theatrical releases Caught by the Tides and Friendship. The talk then turns to the business of show and the recently announced/ongoing breakups of media conglomerates Warner Bros. Discovery and Comcast/NBC Universal. Finally, in “Celebrity Deaths”, a character actor on the brink of big fame, a chart-topping singer of 1960s hits, and a legendary jazz singer and pianist all get remembered, and Phil corrects something Dean said last week in remembering the great Brian Wilson, as well as offering something he recently learned about beloved television star Loretta Swit (who was remembered a couple weeks back).

Happy Birthday to our friend in podcasting, Phil Leirness, who is celebrating many returns of the day in New Orleans today! Before departing Los Angeles, and before Dean Haglund departed the environs of Detroit to head to the nation’s capital for Thanksgiving, they convened via zoom to record this week’s show. In it, they discuss their travel plans, before Dean regales with tales of his recent improv performance (with Gary Jones) in San Jose. Then, a discussion of Dean’s forthcoming European wedding leads to Phil revealing his new plans for Arctic Circle adventures and a follow up to last week’s discussion of the Aurora Borealis. Several new or recent movies get reviewed, including My Old Ass, Deadpool & Wolverine, and His Three Daughters, as well as the 2020 Oscar winner for Best Documentary (My Octopus Teacher) and a horror film from 1988 that was one of the first starring roles for both Hugh Grant and Peter Capaldi (The Lair of the White Worm). Finally, in an almost-all-jazz edition of “Celebrity Deaths”, four jazz greats and two Bee Gees drummers get remembered!

This week’s epic, 80 minute long show begins with an hilarious update about Phil’s medical adventures before the return of “Live Event of the Week”, where classical music, Dean’s forthcoming live comedy show, and a sordid chapter of the Los Angeles Breakfast Club’s history get discussed. Then, the Chillpak Morgue is opened as character actress Sylvia Miles, heiress Gloria Vanderbilt and Jim Pike, lead singer of famed 60’s vocal group The Lettermen, are remembered in “Celebrity Deaths”. And speaking of “Lettermen”, David Letterman has returned to Netflix with season 2 of his series “My Next Guest …” Phil raves about an episode featuring Ellen DeGeneres, on that boasts a cameo by Clint Eastwood, which gets Phil thinking about Clint’s acting career. HIs films Where Eagles Dare and The Bridges of Madison County get discussed. And those are far from the only movies Dean and Phil discuss. They re-examine the classic Hong Kong actioner The Killer on its 30th anniversary. They also analyze the recent box office failures of several previously unassailable cinematic franchises and offer suggestions of what franchise producers and studios can learn from the success of the Marvel Cinematic Universe, as well as from the John Wick and James Bond series of films.