Welcome to an excellent installment of your Chillpak Hollywood Hour that begins with tales of springtime before a couple of great soapbox moments courtesy of the “sensitivity editing” of Agatha Christie and newspaper headline treatments of black men in the media. An actress who starred in many beloved projects, a screenwriter behind crowd-pleasing movies, a singer in a legendary doo-wop band and the designer responsible for the way Phil smelled throughout his teens and twenties (!) all get remembered in “Celebrity Deaths”. Dean champions Cocaine Bear, Elizabeth Banks, and the return of Nicolas Cage (not that he went anywhere). Phil regales with amazing original casting choices for a couple of popular recent films before launching into an appreciation of the fable-making on display in John Wick: Chapter 4.
This week’s show begins with Phil trying to surprise Dean with details of a very famous person who lived in what is now Dean’s hometown of Birmingham, Michigan, and then, Phil tries to stump Dean with a vintage movie ad (from 55 years ago!). Then, because they have been falling behind in discussing “Celebrity Deaths”, Dean and Phil will open the Chillpak morgue to discuss the huge amount of notables who shuffled off their mortal coils in the past week! In part 2, Dean and Phil discuss Ingmar Bergman’s Persona, the latest awards season news (including the SAG, DGA and Producers Guild nominations), and then they conclude with reviews of several films including The Kitchen Brigade, After Yang, Crimes of the Future and Bones and All.
Dean is getting into the spirit of Halloween, Phil is dressing up in steam punk to judge a fashion show, and they are both curious about Jim Thorpe PA, and they talk about all of this! The death of Nikki Finke inspires a celebration and analysis of the Deadline Hollywood website that was her creation and a discussion of a recent headline on the site about ageism in Hollywood. In “Celebrity Deaths”, Phil rants about people claiming anyone is “best known for” a particular work before he and Dean celebrate the lives and legacies of actress Angela Lansbury, actor Robbie Coltrane, author Peter Straub, groundbreaking disc jockey Art Laboe, and significant Hollywood matriarch Eileen Ryan. There is much discussion of the greatest film directors of all time (according to a 2002 Sight and Sound poll) before Dean and wrap things up where they began with Halloween-themed movie viewing.
This week’s show begins with a cold open about a … last week’s cold open! Lord Turlock then shows up to explain the unique heat patterns of the town of Turlock. From there, Dean and Phil discuss their pal, David Dean Bottrell’s remembrance of working with Anne Heche. That leads into “Celebrity Deaths” and celebrations of not only Anne Heche, but of filmmakers Wolfgang Petersen and Bob Rafelson, and actor David Warner. Then, Dean and Phil discuss movies, including Jordan Peele’s Nope, David Lynch’s Lost Highway and John Huston’s Reflections in a Golden Eye. Finally, Phil hails the finale of “Better Call Saul” and he and Dean re-visit “The Lone Gunmen” wondering what could have been if show-runner Vince Gilligan had been given the opportunity he was given on the sequel/prequel series to “Breaking Bad”.
Your friends in podcasting are celebrating 100 episodes of broadcasting! That’s right, this is their 100th episode since moving their franchise to Odysy Radio! Dean and Phil celebrate this milestone by sharing personal stories of on-set safety in the wake of the emerging details behind the fatal shooting on the set of Rust. They discuss society’s need for “instant eulogies” in the wake of another friend’s death. They discuss the latest news on the big-screen Dune and review the latest from Wes Anderson. All that, plus the return of the “Live Event of the Week”! Finally, Clint Eastwood is celebrating 50 years as a filmmaker, and Dean and Phil get in on the action by “programming” a “Directed by Clint Eastwood” film festival – 5 double features you might want to watch!
After their most drunken episode ever, this week’s show finds Dean back in the Detroit suburb of Birmingham and Phil in the Los Feliz neighborhood of Los Angeles. Thanks to an email from a loyal listener and frequent collaborator, they will be revisiting a discussion of Wu Tang Clan from two weeks ago. And thanks to developing news, they will follow up on last week’s discussion of the movement to remove tributes to D.W. Griffith’s legacy in Hollywood. There will be further analysis on the state of the box office in the U.S. and there will be reviews of two new movies: The comedic DC comic book actioner “The Suicide Squad” and a feature documentary about AND photographed by Val Kilmer. Yet another “Night Court” star will get remembered in “Celebrity Deaths”, along with the actress daughter of an iconic filmmaker, an award-winning folk music star, and a beloved cast member of TV’s “Sherlock”. Plus, we still have many celebrity death memories (of a Clint Eastwood collaborator, a legendary voice actor, and a best-selling sci-fi author) recorded during last week’s red wine bacchanal that we include at the end of this week’s show!
If you have listened to our last few episodes, you know that conversation has really started to focus on great movies, great directors AND on silent film being appreciated as its own art form. On this week’s show, Dean and Phil really drill down into each of these topics by focusing on the careers, artistry and legacies of two formative giants of the motion picture industry: Mack Sennett and Charlie Chaplin. Even if you don’t like silent movies or know much about them, trust us, this episode is a blast!
Your friends in podcasting follow up on last week’s conversation about how the response to hatred and violence directed at the AAPI community might shape the current movie awards season and in the second half of the show, they welcome a great friend, journalist and member of the AAPI community, Yoshi Kato, who weighs in on a year of hate crimes, as well as a year of pandemic and the toll it has taken on the music business and on the business of writing about the music business! He also weighs in on Dean’s Doberman, the Paramount Network and both his favorite and least favorite superhero movies! In the show’s first half, Dean discusses a new Korean sci-fi film, and Phil discusses a classic German sci-fi miniseries! There are also 4 vintage movie ads discussed in connection with four “celebrity deaths” as the careers of two great performers, one leading French filmmaker, and a best-selling, award-winning novelist get celebrated.
With special “theme” shows planned to ring out 2020 and ring in 2021, this week’s show will be the last of Dean and Phil’s usual irreverent and insightful show biz grab bags for a few weeks! In it, they celebrate the lives of two Broadway legends, an accomplished New Orleans-based actress, and a “Star Wars” icon. They discuss some of their favorite Christmas movies and share what movies they have gravitated towards this holiday season. They offer up a few holiday-themed movie print ads in what has become a weekly tradition. They discuss why Hitchcockian cinema (i.e. Hitchock-like movies directed by people other than Hitchcock) might have had its peak in the 1970s. They weigh in on Tom Cruise’s Covid-19 safety protocol rant. All that, plus, “The Mandalorian”, “Star Trek: Discovery”, “The Boys” and John Cassavetes!
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.