This week’s show begins with an email from a listener in Ireland about dialect coaches and “Hollywood accounting”. After that, Dean and Phil analyze the box office struggles of the brand new In the Heights and this inspires them to look back at two song and dance films that opened on the same day many years ago, both based on the same dance craze. It also inspires them to look ahead to big blockbuster hopefuls coming out this month as well as smaller “smart house” movies all looking for some post-pandemic domestic box office love. The Angelina Jolie vehicle Those Who Wish me Dead gets reviewed. Casting news for “John Wick 4”, the Marvel MCU and “Indiana Jones 5” gets discussed. Phil follows up on his discussion of “The Undoing” by singling out two actors (and their characters) who make the show ultimately worthwhile(ish). Dean offers up an English-language Netflix series shot in Sweden as a viewing recommendation, he regales with tales of the art work he has been creating, and he reveals another of his all-time favorite episodes of “The X-Files”. Finally, Dean and Phil compare notes on their travel plans for the summer before playing an entire four-round “Steven Seagal” edition of their Vintage Movie Ad game!
After a cold open in which Dean Haglund and Phil Leirness celebrate the fact that YOUR Chillpak Hollywood Hour becomes a teen-ager this week, they launch into what they do best, trying to make sense of a (Covid-19) world gone wild with humor, insight, irreverence and inspiration. In the return of “Wingnut of the Week”, Dean and Phil offer a wag of the finger at Covid-19 conspiracy theorists and a doff of the cap to UFO “truthers”. In “Celebrity Deaths”, they pay tribute to a true titan of comedy publishing and filmmaking, an international star who broke big in both Bollywood and Hollywood, a character actor-turned-casting director, an influential folk singer, and the musician who turned Hugh Grant into a pop star! Then, your friends in podcasting tackle how Covid-19 will affect the up-coming television season, and how it will affect the Oscars, before turning their attention to what years in cinema might rival 1962 as the best year ever for movies!
This week’s epic, 80 minute long show begins with an hilarious update about Phil’s medical adventures before the return of “Live Event of the Week”, where classical music, Dean’s forthcoming live comedy show, and a sordid chapter of the Los Angeles Breakfast Club’s history get discussed. Then, the Chillpak Morgue is opened as character actress Sylvia Miles, heiress Gloria Vanderbilt and Jim Pike, lead singer of famed 60’s vocal group The Lettermen, are remembered in “Celebrity Deaths”. And speaking of “Lettermen”, David Letterman has returned to Netflix with season 2 of his series “My Next Guest …” Phil raves about an episode featuring Ellen DeGeneres, on that boasts a cameo by Clint Eastwood, which gets Phil thinking about Clint’s acting career. HIs films Where Eagles Dare and The Bridges of Madison County get discussed. And those are far from the only movies Dean and Phil discuss. They re-examine the classic Hong Kong actioner The Killer on its 30th anniversary. They also analyze the recent box office failures of several previously unassailable cinematic franchises and offer suggestions of what franchise producers and studios can learn from the success of the Marvel Cinematic Universe, as well as from the John Wick and James Bond series of films.
Has there ever been a more wild and free-wheeling grab bag of topics on a single installment of YOUR Chillpak Hollywood Hour as there is on this week’s show? Consider the topics discussed:
The mysterious death of Thomas Kinkade, the occult meaning of words and symbols, Dean Haglund running a 5K race, the legacy of Mike Wallace, the films of Guy Maddin, the latest in the MPAA’s battle with The Weinstein Company over the rating of Bully. All that, plus your friends in podcasting weigh in on a documentary about Comic-con, a Woody Allen drama, a John Cassavetes classic, two great, award-winning independent films from last year (one from the UK, one from South Korea). And on top of all of that, we even have a brand new theme song by The B-Film Extras!