Your friends in podcasting have a great deal on their minds … Cold weather in the nation’s capital, the hell of home renovations, fire and long-term unhealthful air and the Olympics in Los Angeles … And they discuss it all on this week’s show. They also remember the late David Lynch, suggesting that no artist has ever loved Los Angeles more than he did. They discuss the latest in the Justin Baldoni-Blake Lively (and now Ryan Reynolds!) lawsuits, and this leads to a discussion of the “abuser’s playbook”. The programming glories of the Detroit Film Theater (at the Detroit Institute of Arts) and the Renzo Piano-designed Academy Museum (at the L.A. County Museum of Art) get celebrated and lead to a discussion about “old school” wide-screen filmmaking, and big screen “pacing”, as well as cyber punk and yacht rock! Finally, analysis will be directed onto the Directors Guild and Producers Guild awards nominations and what they portend for this week’s Oscar nominations. Oh, yeah, and the show opens with an epic Dean Haglund meltdown!

This week’s show spans three weeks, three cities, and three different time zones. It starts with a conversation about the Detroit Institute of Art and the “Murder She Wrote” board game, recorded in Birmingham, Michigan, during a terrifying storm. It continues with a conversation recorded for last week’s show about a message Dean received from a fan and about Phil’s enjoyment of the FX revival series “Justified: City Primeval”. Then, after the break, Dean checks in from Minneapolis and the PhileFest celebrating the 30th Anniversary of “The X-Files”. He reports on all the goings-on, including the comedy, the fans, the stars and the possibly forthcoming reboot of the show from Ryan Coogler. Finally, Dean and Phil turn their attention to the just-concluded Venice Film Festival, to an award-winning Japanese filmmaker and to movies made in secret.