From free sex bungalows to Phil’s new monthly stage show, from two popular Netflix series to two Palme d’Or winning movies, from whisper quiet roller coasters to the proper pronunciation of the word “behemoth”, from a sci-fi cult film about a walking television from another dimension to appalling online attitudes expressed about the way popular entertainers look, it’s safe to say that this week’s show truly has something for everyone! So, pull up a chair, put on headphones, crank the volume and join Dean and Phil as they drop in on a Los Angeles City Council meeting, as they visit Universal Studios, as they go backstage at Skylight Theatre, and as they advocate for a world free of violence and full of right speech. We’re pretty sure it’s interesting. We have a sneaking suspicion it might be oddly inspiring. We know it’s utterly hilarious. And, oh, yeah, there are puppets!

In a cold open, Phil tells of the “Live Event of the Week”. Then, in the return of “Lawsuit of the Week”, the ongoing saga of Paramount’s desired merger with Warners gets updated, and the recent UK privacy lawsuit involving such notables as Prince Harry, Elton John and Liz Hurley gets analyzed. Two listener emails pertaining to the recent, epic episode of “Deep Dive” exploring 1940s Film Noir get shared. The incredible, just-released episode of “The Wayback Machine” gets discussed and Phil follows up on what was covered in that show by asking Dean about the hit 2009 film District 9 and by quizzing Dean on hit sci-fi television of the past 20 years. Phil has fun discussing the attitudes of fans that have assumed “public ownership” of beloved properties (like “Star Trek”) and Dean makes a plug for his favorite band! Finally, Phil discusses the great Jafar Panahi’s multi-Oscar nominated It Was Just an Accident and this leads to he and Dean comparing notes on their go-to streaming channels or apps.

In a cold open, Dean and Phil share how impressed they are with an animated short made by the college student son of one of Phil’s high school classmates. In the return of “Lawsuit of the Week”, the most recent threats and developments surrounding Paramount’s desired merger with Warners get fully explained and analyzed. Phil shares sadness surrounding the impending departure of longtime favorite son of Los Angeles, Gustavo Dudamel, who is leaving the L.A. Phil to take over the New York Philharmonic. A great story about Lily (Holleman) Leirness’ encounter with Dudamel gets shared. Dean has started watching “Diarra from Detroit” at Phil’s urging and loves it! A loyal listener has a slight correction to something Dean said on the recent, epic episode of “Deep Dive” exploring 1940s Film Noir. Phil follows up on a couple of films discussed in that show, offering greater context to the writing of The Stranger (1946) and Sidney Greenstreet’s performance in The Maltese Falcon (1941). Chris Carter’s “director’s cut” of the 2nd “X-Files” movie has been released and … Dean and Phil have thoughts. Phil re-watched Citizen Kane, which inspires in-depth discussion of that film’s continued greatness and resonance, and which inspired his watching the recent Japanese psychological suspense film Exit 8, a film Dean is now ready to reappraise!

In some ways, Dean Haglund and Phil Leirness pick up where last week’s show (the one thousandth episode of YOUR Chillpak Hollywood Hour) left off, by reminiscing about a couple of their early years spent “changing the way people listen to the internet” and by examining more in the shifting release strategies for television and the viewing habits of television viewers. They also go deeper still into the issues surround the soon-to-be-litigated proposed Paramount merger with Warners. They continue their ongoing analysis of the potential benefits, and current costs, of our evolving relation to Artificial Intelligence. They also discuss one video game movie, one sci-fi comedy from the 1980s, and one current samurai era “whodunit”. They share their love of a raft of different contemporary television series and reveal which streamers they enjoy the most and which shows keep them excited between seasons. Also, they preview this week’s release of an R-rate “director’s cut” of the second “The X-Files” feature film!

Dean Haglund and Phil Leirness commemorate this, the one thousandth episode of YOUR Chillpak Hollywood Hour (originally called “From the Heart of Hollywood”), by reminiscing about their first few years of “changing the way people listen to the internet” by examining how the media landscape has changed since they started podcasting, and how that landscape might evolve moving forward. The in-depth topics that get discussed include the podcasting field itself, the ways episodic television programming has changed, the dire need to change facing Netflix, and why binge watching quickly brought an end to the 21st century “golden age” of television. After a shameless (and hilarious) music plug for another podcast in the ever-expanding “Chillpak Hollywood Presents …” universe of shows, the topic turns to AI, the coming revolution revolving around artificial general intelligence, whether humanity can adapt, and whether an economy altering AI “bubble” may be on the horizon. Finally, the latest news in the now-frozen Paramount merger with Warner Bros. gets analyzed. Trust us, even if you only want to listen to one of our one thousand episodes, you can’t do wrong with this one!

After a cold open wherein Phil gives everyone the lay of the land, outtakes from last week’s show are picked up off the cutting room floor, dusted off and used, revealing an obviously drunken Dean and (a perhaps tipsy) Phil continuing their discussion of commuter trains before delving into Project Hail Mary and a couple of vintage James Bond films. Then, after a midpoint musical interlude that allows Dean and Phil to become sober as judges, good pal Jon Lawlor joins the conversation for analysis of the Live Nation and Ticketmaster court case and the pending Warner Bros.-Paramount merger. During the show, Phil learns the difference between a Japanese bathhouse and the Alamo Drafthouse, and the difference between the words “vacillate” and “oscillate”.

This week, another “audio collage” of two different conversations recorded at different times, both exploring different facets of comedy. First Dean and Phil convene to compare notes on the new reboot of The Naked Gun – what it did right, what could have been done better and what good things its success (especially with young people) might portend! Another recent release, Riff Raff gets reviewed, and the importance of sketch and improv training for actors gets discussed. Then, your friends in podcasting take a deep dive into The Beatles’ movies directed by Richard Lester: A Hard Day’s Night and Help! A whole lot of deep concepts and legendary cinematic figures get explored as a result! In the final half hour of this epic installment, frequent contributor to the show, and comedy impresario, Marc Hershon and Phil discuss recent, disturbing news from the world of television, before discussing a Marc Maron comedy special, how authenticity might be having a moment, how young people seem to have good B.S. detectors, and several of Marc’s formative comedy influences.

This week, Dean and Phil go deeper into the life and career of the brilliant Tom Lehrer before opening the Chillpak morgue and remembering astronaut Jim Lovell, actor Alfie Wise, WKRP star Loni Anderson, wrestling superstar Hulk Hogan, heavy metal icon Ozzy Osbourne, and beloved “Cosby Show” star Malcolm-Jamar Warner, in “Celebrity Deaths”. These discussions lead to several unexpected and fascinating topics. After that, Phil describes how the 1980s are alive and well in Montecito, California, sharing stories about Dennis Miller, Christopher Lloyd and Kenny Loggins in the process. Finally, two superhero films receive analysis: Superman and The Fantastic Four: First Steps.

Dean Haglund turned 60 this past week and on the occasion, Phil Leirness and (friend of show and composer of numerous themes songs) Jon Lawlor met up with Dean via Zoom to discuss the importance of celebrating birthdays. They also celebrated the incredible life and hilarious artistry of the great Tom Lehrer. This led into a discussion of the gents’ all time biggest comedy influences. Finally, they discussed the fact that two of the films hailed as the best of 2025 both deal with recovery from sexual trauma and why that might make sense for where we are as a culture right now. Afterwards, Lily Holleman joined the festivities to go in-depth with Phil about one of those two films.

Because your friends in podcasting really wanted to take a much-needed week off, they pre-recorded this week’s show in two parts. One part involves Dean and Phil continuing their ongoing reappraisal of the “Mission: Impossible” films, as they debate the merits of the most successful (and critically acclaimed) installment – Mission: Impossible – Fallout. The other part was recorded with good pal Jon Lawlor during their weekly discussion of “The Art Life”. The themes they explore involve the definitions of “courage”, “decorate” and answering the question, “what’s missing?” Music, bravery, intimacy, cancer, dog sweaters, and the “Star Trek” episode “Spectre of the Gun” are just some of the topics discussed. The show ends in a cliffhanger mystery! The show BEGINS with a question to you (yes, YOU!), our dear listeners, about the future form of YOUR Chillpak Hollywood Hour!