Dean and Phil commiserate about power outages in Dean’s Michigan neighborhood and about snow in Los Angeles! More important than winter season weather, however, are which way the winds are blowing in Hollywood’s award season and they discuss the latest news and how it affects handicapping this year’s Best Picture Oscar race. Long before it was called “Best Picture”, the top Oscar was called “Best Production” and Phil analyzes one of its earliest recipients – Cimarron, one of the only westerns ever to win the top prize from the Academy of Motion Picture Arts and Sciences. Another western also has Phil’s attention: Red Sun starring Charles Bronson, Toshiro Mifune and Alain Delon. Phil follows up on last week’s remembrance of Raquel Welch, by sharing thoughts on and stories about one of her earliest films, Lady in Cement starring Frank Sinatra. Finally, Phil saw a screening of the great Italian classic The Conformist and discussion of this leads to appreciations on the art of editing and some of its greatest practitioners, as well as an appreciation for the great production designer Ferdinando Scarfiotti. Dean also saw a movie this week – the current (modest) box office hit 80 for Brady and Dean actually sings its praises! Dean also has two personal stories about the great stand-up comedian-turned-actor Richard Belzer (with whom he starred in and episode of “The X-Files” exploring the origin of the Lone Gunmen). Other notables remembered in “Celebrity Deaths” include a big screen star of the 60s and 70s, and a 6 time Emmy-nominated television actress of the 80’s and 90s.

Dean and Phil discuss Leap Day, tackle the challenges and joys of teaching (improv and acting respectively) and then open the Chillpak morgue to remember a novelist-turned-adventurer, a talk show host-turned-soap opera producer, a quick draw specialist-turned-western star, a psych-rock innovator-turned-dream pop icon, and a mathematician-turned-space program hero in “Celebrity Deaths”. Dean offers up analysis on the “38%” in “Explanation of the Week”. Then, after some appreciation of a Canadian television series (available on Hulu), John Mulaney, David Byrne (and the “Sack Lunch Bunch”), the gents tackle an email from a loyal listener and frequent contributor about the recent practice of releasing “de-colorized” modern movies. Finally, a couple more great movie monologues performed by women get discussed. Something for everyone? We like to think so!