In a cold open, Phil tells of the “Live Event of the Week”. Then, in the return of “Lawsuit of the Week”, the ongoing saga of Paramount’s desired merger with Warners gets updated, and the recent UK privacy lawsuit involving such notables as Prince Harry, Elton John and Liz Hurley gets analyzed. Two listener emails pertaining to the recent, epic episode of “Deep Dive” exploring 1940s Film Noir get shared. The incredible, just-released episode of “The Wayback Machine” gets discussed and Phil follows up on what was covered in that show by asking Dean about the hit 2009 film District 9 and by quizzing Dean on hit sci-fi television of the past 20 years. Phil has fun discussing the attitudes of fans that have assumed “public ownership” of beloved properties (like “Star Trek”) and Dean makes a plug for his favorite band! Finally, Phil discusses the great Jafar Panahi’s multi-Oscar nominated It Was Just an Accident and this leads to he and Dean comparing notes on their go-to streaming channels or apps.

Dean Haglund and Phil Leirness commemorate this, the one thousandth episode of YOUR Chillpak Hollywood Hour (originally called “From the Heart of Hollywood”), by reminiscing about their first few years of “changing the way people listen to the internet” by examining how the media landscape has changed since they started podcasting, and how that landscape might evolve moving forward. The in-depth topics that get discussed include the podcasting field itself, the ways episodic television programming has changed, the dire need to change facing Netflix, and why binge watching quickly brought an end to the 21st century “golden age” of television. After a shameless (and hilarious) music plug for another podcast in the ever-expanding “Chillpak Hollywood Presents …” universe of shows, the topic turns to AI, the coming revolution revolving around artificial general intelligence, whether humanity can adapt, and whether an economy altering AI “bubble” may be on the horizon. Finally, the latest news in the now-frozen Paramount merger with Warner Bros. gets analyzed. Trust us, even if you only want to listen to one of our one thousand episodes, you can’t do wrong with this one!

Phil is in the nation’s capital, and reveals that he really doesn’t understand much about weather at all. Dean is in Birmingham, Michigan, where the ongoing airport delays prevented him from participating in this weekend’s “No Kings” protests. Phil shares with Dean the favorite signs he saw while protesting with his in-laws! Last week, Dean and Phil discussed the 107 year-old Santa Monica Airport, soon to close operations for good and set to become public parkland. Phil regales Dean with tales of one very famous and beloved movie filmed there. This leads to a discussion about built sets that were too big for any studio soundstage to hold. After that, three very disparate, and somewhat unusual, films get analyzed: the recent Japan-set Rental Family starring Brendan Fraser, the 1978 sci-fi schlock movie Starcrash (featuring Christopher Plummer!) and the 2025 faith-based historical fiction family film Sarah’s Oil. Finally, Dean and Phil do more exploring in the Time Out list of the 100 Greatest Movie Theaters in the World RIGHT NOW. Oh, and a belated Happy National Respect Your Cat Day to all who celebrate!

After comparing notes on their forthcoming respective travel plans, Dean and Phil roll up their sleeves and discuss the 25th anniversary of “The Lone Gunmen” series. Then, in what will be a multi-week exploration, they begin to delve into Time Out’s list of the 100 Greatest Movie Theaters in the World that are still in operation. The movie business is foremost on their minds these days, and they pose some of the big, perplexing questions regarding the possibly sinister and definitely nonsensical merger of Paramount with Warner Bros. Then, because it’s STILL awards season, they tackle the really odd, almost desperate nature of the recent SAG-AFTRA “Actor Awards” on Netflix. As a bonus, you will learn what the following phrases uttered by Dean Haglund in this episode actually mean: “We made the Ramones cry!” and “funky, artisanal whatever”.

Dean and Phil discuss the fallout from Paramount supposedly closing the deal to acquire Warner Bros. and its assets. They celebrate the feat that Richard Linklater became the first-ever American filmmaker to achieve this week. They review three new genre films: a horror sequel (28 Days Later: The Bone Temple), an homage/deconstruction of 1960s Eurospy movies (Reflection in a Dead Diamond), and a sci-fi comedy that gives genuine 1980s “feels” (Good Luck, Have Fun, Don’t Die). They revisit the much-loved “classic” Field of Dreams. In honor of Dean’s first wedding anniversary that takes place this month, Phil offers previews of two forthcoming cinematic marriage stories. Finally, the big casting news for the reboot of “The X-Files” gets analyzed.

Dean and Phil share seasonal decoration news, holiday plans, and Christmas travel tales. Then, Phil tells a hilarious story about an awards screening he attended. Wake Up Dead Man (“A Knives Out Mystery”) gets a deep dive analysis which leads into a new way of discussing the issues surrounding Netflix’s pending purchase of Warner Bros. Media. After that, the Netflix films Jay Kelly and Carry-On get reviewed before a soon-to-be-theatrically-released awards hopeful gets reviewed. Finally, a classic 1949 film noir and an underrated 1961 comedic gem from Billy Wilder get celebrated.

On this week’s show, Dean Haglund is finally using a microphone once again. It makes his audio better, to be certain, but somehow it also manages to create several cameo opportunities for his dogs! Don’t let those moments dissuade you, however, as this week’s show is an utterly fascinating conversation between Dean and his longtime co-host Phil Leirness. They go deep, discussing the potential sale of Warner Bros. to Netflix, the life and legacy of perhaps the greatest American architect of all time, Frank Gehry, and the truly spine-chilling lessons we can learn from the Nazis’ film policy.

Dean and Phil compare notes on their Thanksgivings and reveal how (and probably why) Phil got sick on his birthday! Then, they discuss a wide array of brand new and classic movies from various genres and from locales around the world, including Richard Linklater’s Nouvelle Vague, Joachim Trier’s Sentimental Value, the noir classic The Postman Always Rings Twice, the groundbreaking indie Chan is Missing, the all-time masterwork Au hasard Balthazar, and a Netflix doc about Eddie Murphy. In “Celebrity Deaths”, an unforgettable and prolific character actor and one of the greatest playwrights of all time get remembered.

This week, Dean and Phil will begin to slowly roll out the new era of Chillpak Hollywood, releasing much more content each week. Phil provides details at the outset. Then, he and Dean engage in much show biz “water cooler” discussion. The most famous modernist home in the world is up for sale for the very first time. Dean and Phil talk about the house, its history, and some of the movies that were filmed there. Warner Bros. is also up for sale, apparently (again!), and Dean and Phil both discuss it and sort of lament it! A loyal listener is very upset about the film Bugonia, so Dean and Phil revisit their debate about the film’s director, Yorgos Lanthimos. The lack of box office this year for accomplished and acclaimed films aimed at adults gets discussed broadly, with two of these films (the Channing Tatum vehicle Roofman, and the recent spy thriller Black Bag) going under the microscope. Finally, two classic films get re-appraised and celebrated anew: Rian Johnson’s Brick on its 20th anniversary, and the rollicking 1966 western The Professionals. Finally, one of Phil’s all-time favorite actors, indeed one of the greatest figures in Japanese cinema history, gets remembered in “Celebrity Deaths”.

Big changes are coming, with much more content each week. This week, Dean and Phil hint more at what these changes might bring, while whetting the appetite thru discussions of art, culture, television, movies and acting. The festivities begin with Dean revealing which of the cities he has lived in most inspired his painting. The return of Vince Gilligan to the small screen gets discussed, the hilarious new sitcom “Stumble” gets reviewed, and the cancellation of Rian Johnson’s “Poker Face” AND his plans to revive it get analyzed. In “Celebrity Deaths”, the maverick independent filmmaker Henry Jaglom gets remembered and his ongoing legacy and influence are pondered. Then a whole raft of new Netflix films get mentioned before Dean doffs his cap at Guillermo del Toro’s Netflix version of Frankenstein, and Phil wags his finger at the preposterous The Woman in Cabin 10. Finally, The Fantastic Four: First Steps gets revisited before the state of acting in the 1970s gets hailed as, perhaps, the all-time peak of screen acting.