On this week’s show, Dean Haglund is finally using a microphone once again. It makes his audio better, to be certain, but somehow it also manages to create several cameo opportunities for his dogs! Don’t let those moments dissuade you, however, as this week’s show is an utterly fascinating conversation between Dean and his longtime co-host Phil Leirness. They go deep, discussing the potential sale of Warner Bros. to Netflix, the life and legacy of perhaps the greatest American architect of all time, Frank Gehry, and the truly spine-chilling lessons we can learn from the Nazis’ film policy.

After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari’s Good Fortune. The topic then turns to Paul Thomas Anderson’s 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil’s thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

Because Phil is on the road, tending to family matters, this week’s show was pre-recorded last week and much of the episode is dedicated to discussing two icons: The historic landmarked Mayan Theatre in downtown Los Angeles closed its doors for good on September 14, and the great leading man, filmmaker, and supporter of the arts and the environment, Robert Redford, left the stage on September 16. Dean and Phil do a deep dive into Redford’s career and accomplishments and put his 1974 starring vehicle The Great Gatsby under the microscope. This leads to a discussion of lead characters, often seen as heroes, who suffer the delusions caused by their own fantasies. Such characters include Holly Martins in The Third Man and Rick in Casablanca. The dangers of fantasy prove the perfect segue way to Phil’s thoughts upon finally having watched James Gunn’s Superman. Then to wrap up this jumbo installment of YOUR Chillpak Hollywood Hour, the devilishly haunting, and rather delightfully macabre 1964 suspense picture from Japan, Onibaba gets celebrated.

Phil is in Montecito, California. Dean is ALMOST back into his house in Birmingham, Michigan. They got together via the magic of podcasting (and zoom) to discuss: The week that was for “Cobra Kai” star Martin Kove, the latest company splits for “Legacy Media” conglomerates, and California’s now official increase in the annual Film & TV Tax Credit funding. Wes Anderson and The Phoenician Scheme, Apple and their F1 and Fountain of Youth, the Indiana Jones films, Bong Joon Ho and Mickey 17, and the “Mission: Impossible” films all get deep dive analyses as well.

Dean and Phil commence the proceedings with a cold open wherein they address a fantastic voice message they received from a loyal listener in Germany. Then, after finding out when Dean expects to no longer be living in his one-room art studio above the garage, Phil dedicates the rest of the show to celebrating movies from around the world and from across the decades! The recent blockbuster Sinners, the current blockbuster Mission: Impossible – The Final Reckoning, and the current limited release A Vanishing Fog from Columbia (the country, not the studio) all get reviewed. One of the great films of the 21st century, a 2000 masterpiece from Taiwan entitled Yi Yi, and the legendary capper to the “Apu” trilogy – Apur Sansar (aka The World of Apu) – from the great Indian filmmaker Satyajit Ray both get celebrated. Finally, Phil shares stories of Alexander Payne, and regales with the history of perhaps the single greatest influence on Payne’s work, Preston Sturges, both in light of re-watching the hilarious and surprisingly rousing 1944 wartime comedy Hail the Conquering Hero. So, butter up that popcorn, epic Year 19 Episode 4 of YOUR Chillpak Hollywood Hour is going to the movies!

Phil is back from Fort Worth, Texas, and has a Logan’s Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight’s plans to “save” Hollywood and how the President seized on those plans while probably misunderstanding them completely and/or intentionally. Meanwhile, “Sinners” might end up affecting real change in the film business and your friends in podcasting will discuss how. One of the all-time great actors, William Holden, and one of the all-time great actresses, Barbara Stanwyck, get discussed through the prism of two films: Executive Suite and Stella Dallas, and THE all-time greatest film (according to the 2022 Sight and Sound poll) also gets analyzed. This film is celebrating its 50th anniversary and so the conversation turns to other films of the era, including, perhaps, the greatest of all Francis Coppola films (and no, we’re not talking about The Godfather Part II).

One month from their 18th Anniversary (of changing the way you listen to the internet!), your friends in podcasting are still recovering from their European Adventures and during this week’s installment they start by discussing the Marx Brothers, and end by revealing architecture and fine art discoveries they made while overseas. In between, they discuss the Netflix CEO declaring war on movie theaters, a movie soon leaving Netflix, and a quite lovely, moving film just released to theaters. And in “Celebrity Deaths” character actor Bruce Glover, king of the miniseries Richard Chamberlin, and movie star Val Kilmer all get remembered.

The first show of 2025 find Dean and Phil in good form and discussing a wide array of topics including the landscape and geography of NY’s Central Park, nature photography, the It Ends With Us controversy and lawsuit, and the near future of motion picture distribution both theatrically and via streaming. The truncated nature of this year’s mad dash Awards Season will get analyzed before the Netflix series “Man on the Inside” gets reviewed. Then, your friends in podcasting roll up their sleeves to re-examine Netflix’s 2018 film The Christmas Chronicles and offer their thoughts on the Ralph Fiennes-Juliet Binoche starrer The Return as well as the brilliant Nickel Boys and the reviled (and misunderstood?) Joker: Folie a Deux. Finally, thoughts regarding the suicide of filmmaker Jeff Baena are offered and Ralph Fiennes closes the show by being very “demure”.

Are Dean and Phil filled with the spirit of the holiday season? This week, we will all find out! They certainly are immersed in the spirit of the Hollywood Awards Season and they discuss the top ten films according to critics, and delve into the top films and performances according to the Golden Globes. They do deep dive analyses of two films – one current award hopeful, and one all-time classic from a true giant of cinema. Then, in the return of “Celebrity Deaths”, a world-famous mentalist, and a big-screen comedy hit-maker get remembered.

It’s a Labor Day edition of YOUR Chillpak Hollywood Hour and Dean and Phil regale with tales of the labor they had to put into Labor Day Weekend, and discuss the history of the day itself. Phil rants about the truncating of summer before he and Dean revisit the following topics from last week: Edgar Bronfman Jr.’s 11th hour bid to take over Paramount, the cinematic legacy of the great leading man Alain Delon, and the nonlinear nature of Strange Darling. Many classic and recent films get appraised, including the Ryan Reynolds-starring If and the 2014 indie neo-noir Man From Reno. On the small screen, the new season of “Only Murders in the Building”, the third season of “Slow Horses” and the rookie season of “Bad Monkey” all get discussed, as does the literary voice of author Carl Hiaasen. All that plus, Phil reveals some very interesting tidbits about his essays and podcasts at “The Voice of Los Feliz”.