If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Dean is back in Los Angeles and Phil picks him up at the Eastern Columbia and they take to the mean streets of Los Angeles at the outset of this week’s show! Topics discussed include Dean’s experiences with the late character actor Tom Sizemore, the live-streamed Chris Rock special on Netflix, and the disappearance of the great actor Julian Sands. Then, Phil is joined (via zoom) by Yoshi Kato to discuss the career and legacy of jazz great Wayne Shorter, and later, Phil is joined (via zoom) by Marc Hershon, who shares a great story about the late comedian-turned-actor Richard Belzer. After that, and after several cocktails in Hollywood (!), it’s back into the car for a return trip to the Eastern Columbia where Phil stumps Dean with a very interesting trivia question pertaining to the relevancy of the Oscars. This leads to Dean and Phil deciding (for the first time) to not do any Oscar-related show this year, though they do establish one way in which the Academy Awards probably do matter culturally.