This week’s show begins with an email from a loyal listener about the Bree Sharp song “David Duchovny” and the unofficial video for it in which Dean participated. Then, Phil talks about what is going on his beloved Siren Radio in the UK. A petition has been launched to try and save the station to which Phil has been contributing for more than 12 years (read and, if so moved, sign the petition at https://www.change.org/p/support-our-siren-saving-siren-radio-lincoln-s-first-community-radio-station). This leads to a discussion of curated experiences and supposedly outmoded media. From there, the conversation switches to the impact of Bicycle Thieves on the big screen and that classic’s influence on Pee-Wee’s Big Adventure. The surprising good news of a just-released global box office smash hit gets cheered. Of course, “awards season” is reaching its climax, and Dean and Phil analyze what we can know will happen at the Oscars based on this weekend’s SAG Awards. The multi-award-winning miniseries “Beef”, its writing and its stars get hailed. Phil also shares a great story about Annette Bening and both her present, and one of her past, Oscar nominations. All that plus Phil regales with tales of the Autry Museum of the American West in the wake of emceeing a major event there. Finally, the lives of three fascinating music figures get remembered in “Celebrity Deaths”.
Welcome to a truly great episode and it all starts with an alternately touching and hilarious cold open! In “Celebrity Deaths”, Dean and Phil remember a jazz music pioneer, an actor who was an important influence on Dean, and a versatile, prolific, Oscar-winning filmmaker. Last week’s Oscar nominations get analyzed, as does the ensuing anger surrounding supposed “snubs”. After the break, the great film critic Luke Y. Thompson joins the fun, discussing how critics, like performers, can get “pigeon-holed”. He offers up thoughts on the Oscar-nominated The Zone of Interest and the underrated Beau is Afraid, and hips you to a black and white sci-fi comedy that is well worth your 68 minutes! He even talks about toy reviews and toy photography! And trust us, this episode offers a lot of laughs! Find links to all of Luke’s articles and reviews at https://linktr.ee/lytrules. And learn about his work as a toy collector, photographer and reviewer at https://www.eql.com/media/adult-toy-collecting
Years back, Dean & Phil used to start each year with a show where they revealed their New Year’s Resolutions. They stopped doing this because their perceived failures to fulfill their resolutions started to become depressing! Flash forward to present day and your friends in podcasting and broadcasting participate in a “side project” called The Art Life with good pal (and creator of many Chillpak Hollywood Hour theme songs) Jon Lawlor. Each week they hold each other’s feet to the fire as they try to free up their creativity, make it manifest in the world AND encourage each other to live more artful, authentic lives. This weekend, they discussed their intentions for 2024 and how they intend to set their compasses to their true North(s). We thought it might prove interesting, funny and maybe even inspiring, so we are sharing that conversation with you. Happy New Year, one and all!
This week’s show begins with a mea culpa to those of you who actually listen to the show in podcast form. After that, your friends in podcasting and broadcasting follow up on last week’s “What We’re Reading” with amazing tales of the Knights of Malta and of the great artist Caravaggio’s time in Malta. Then the Hall & Oates “Lawsuit of the Week” gets revisited and clarified, before loyal listener Maurice Terenzio sets Dean straight on a lawsuit that involved puppetry giants Sid & Marty Krofft. In “Celebrity Deaths”, a groundbreaking pianist, a groundbreaking soap opera actress, a trailblazing television producer, an Oscar nominated French Actress, and a beloved American movie star all get remembered. And because awards season in Hollywood is now in full swing, two new television series get described and appraised.
This week’s Canadian Thanksgiving installment features follow-ups on several topics from past episodes: Are the most important pop culture figures of the last quarter of the 20th century all named “David”? Why is contemporary art so abundant with creativity and so full of joy? What are some of the most thrilling aspects of Bonaventure Cemetery in Savannah, Georgia? And speaking of Savannah, why is The Pirate House so darn haunting? In addition to those follow-ups, Phil has been researching “Trainee” programs offered by the Writer’s Guild in the wake of their (tentative) deal with the producers. And a loyal listener has thoughts about the best/worst actors to play Hercule Poirot on the big screen. This last leads into Dean’s thoughts about Kenneth Branagh’s A Haunting in Venice before three films starring the great Dirk Bogarde, the soulfulness of Oliver Reed and a brilliant, unheralded masterpiece by the late William Friedkin all get discussed. Finally, in “Celebrity Deaths”, a beloved star of “The Man from U.N.C.L.E.” (and “NCIS”) gets remembered.
This week, after a cold open involving Pee Wee Herman and David Hasselhoff, Dean and Phil discuss Dean’s travel plans, a big 30th anniversary “X-Files” convention and the latest news involving the Hollywood labor battles. Then Dean offers up another suggestion of a vintage television series you might want to avail yourself of while no new series are being produced. An all-music edition of “Celebrity Deaths” will focus on a groundbreaking Chinese American performer, a beloved bass player, an influential punk rock star, and a chart-topping singer. Then, Dean and Phil celebrate the enduring comedic legacy of true cinematic genius Jacques Tati, discussing his life, his career, his artistry and two of his most beloved films. Phil then asks Dean to weigh in on why the exceptionally funny Dungeons & Dragons: Honor Among Thieves lost so much money. A show that starts out creepy, albeit hilarious, ends that way as well!
After three special theme shows celebrating their 16 years of changing the way people listen to the internet, your friends in podcasting and broadcasting are back doing whatever the heck it is they usually do! Dean and Phil discuss all the news coming out of the Cannes Film Festival and the latest in the ongoing labor turmoil in Hollywood. They discuss art, comedy, and Disneyland. They offer up reviews of three new or recent releases. They celebrate the lives and legacies of a chart-topping singer-turned-actor, the Queen of Rock ‘n Roll, a groundbreaking filmmaker, and an award-winning novelist.
Welcome to an excellent installment of your Chillpak Hollywood Hour that begins with tales of springtime before a couple of great soapbox moments courtesy of the “sensitivity editing” of Agatha Christie and newspaper headline treatments of black men in the media. An actress who starred in many beloved projects, a screenwriter behind crowd-pleasing movies, a singer in a legendary doo-wop band and the designer responsible for the way Phil smelled throughout his teens and twenties (!) all get remembered in “Celebrity Deaths”. Dean champions Cocaine Bear, Elizabeth Banks, and the return of Nicolas Cage (not that he went anywhere). Phil regales with amazing original casting choices for a couple of popular recent films before launching into an appreciation of the fable-making on display in John Wick: Chapter 4.
Dean is back in Los Angeles and Phil picks him up at the Eastern Columbia and they take to the mean streets of Los Angeles at the outset of this week’s show! Topics discussed include Dean’s experiences with the late character actor Tom Sizemore, the live-streamed Chris Rock special on Netflix, and the disappearance of the great actor Julian Sands. Then, Phil is joined (via zoom) by Yoshi Kato to discuss the career and legacy of jazz great Wayne Shorter, and later, Phil is joined (via zoom) by Marc Hershon, who shares a great story about the late comedian-turned-actor Richard Belzer. After that, and after several cocktails in Hollywood (!), it’s back into the car for a return trip to the Eastern Columbia where Phil stumps Dean with a very interesting trivia question pertaining to the relevancy of the Oscars. This leads to Dean and Phil deciding (for the first time) to not do any Oscar-related show this year, though they do establish one way in which the Academy Awards probably do matter culturally.
This week’s show begins with a cold open wherein Dean and Phil discuss Phil’s 4th wedding anniversary, 100 years of Disney, and 16 years of Chillpak, while also celebrating the life and cultural legacy of Burt Bacharach. Dean then reveals his plans to see 80 for Brady (!) before he and Phil compare notes on Pearl, the sequel to X. Phil then sings the praises of a little-known noir-ish detective story starring Lucille Ball and directed by Douglas Sirk, and the jazzy 1966 exercise in style, Tokyo Drifter. After that, it’s time to open the Chillpak morgue for a handful of truly fascinating “Celebrity Deaths” as screen icon Raquel Welch, Award-winning director Hugh Hudson, former child star Austin Majors, and one of the greatest production designers of all time, Eugene Lee, get remembered.