This week’s show begins with Phil trying to surprise Dean with details of a very famous person who lived in what is now Dean’s hometown of Birmingham, Michigan, and then, Phil tries to stump Dean with a vintage movie ad (from 55 years ago!). Then, because they have been falling behind in discussing “Celebrity Deaths”, Dean and Phil will open the Chillpak morgue to discuss the huge amount of notables who shuffled off their mortal coils in the past week! In part 2, Dean and Phil discuss Ingmar Bergman’s Persona, the latest awards season news (including the SAG, DGA and Producers Guild nominations), and then they conclude with reviews of several films including The Kitchen Brigade, After Yang, Crimes of the Future and Bones and All.
Dean is getting into the spirit of Halloween, Phil is dressing up in steam punk to judge a fashion show, and they are both curious about Jim Thorpe PA, and they talk about all of this! The death of Nikki Finke inspires a celebration and analysis of the Deadline Hollywood website that was her creation and a discussion of a recent headline on the site about ageism in Hollywood. In “Celebrity Deaths”, Phil rants about people claiming anyone is “best known for” a particular work before he and Dean celebrate the lives and legacies of actress Angela Lansbury, actor Robbie Coltrane, author Peter Straub, groundbreaking disc jockey Art Laboe, and significant Hollywood matriarch Eileen Ryan. There is much discussion of the greatest film directors of all time (according to a 2002 Sight and Sound poll) before Dean and wrap things up where they began with Halloween-themed movie viewing.
This weekend, Dean and Phil got together in-person on the “American Riviera” for a fascinating discussion inspired by a loyal listener like you (yes, YOU!). The conversation involves the importance of awards not only recognizing and rewarding great work, but also rewarding the great stories surrounding the making of that work! Somehow that inspires Phil to reappraise the entire filmography of James Mason. That great Belgian sleuth, Hercule Poirot, gets more time in the spotlight, as Dean and Phil take a little more time giving both a doff of the cap and a wag of the finger to Kenneth Branagh’s Death on the Nile and Phil, who took the time during the week to unearth the final Peter Ustinov performance as Agatha Christie’s protagonist, has some thoughts about Appointment with Death from the infamous Cannon Film Group. Finally, in a riff on their usual “Celebrity Deaths” section, Dean and Phil discuss three non-celebrity friends who died recently.
Dean and Phil follow up on last week’s awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil’s frequent collaborator, Greg De Belles. Greg composed the score for Phil’s Karl Rove, I Love You and for Dean and Phil’s The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel’s Van Gogh film At Eternity’s Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.
Your friends in podcasting follow up on last week’s conversation about how the response to hatred and violence directed at the AAPI community might shape the current movie awards season and in the second half of the show, they welcome a great friend, journalist and member of the AAPI community, Yoshi Kato, who weighs in on a year of hate crimes, as well as a year of pandemic and the toll it has taken on the music business and on the business of writing about the music business! He also weighs in on Dean’s Doberman, the Paramount Network and both his favorite and least favorite superhero movies! In the show’s first half, Dean discusses a new Korean sci-fi film, and Phil discusses a classic German sci-fi miniseries! There are also 4 vintage movie ads discussed in connection with four “celebrity deaths” as the careers of two great performers, one leading French filmmaker, and a best-selling, award-winning novelist get celebrated.
Because he’s been driving all over California, Phil tackles the insane, apocalyptic weather racking the Golden State, and Dean updates on the building of his steam room and his graphic novel (both of which are long-awaited) on this week’s installment of YOUR Chillpak Hollywood Hour. The madness of America is addressed through the oddly appropriate lens of Martin Scorsese’s The Last Temptation of Christ and speaking of Scorsese, his mentor, John Cassavetes is very much a subject of discussion, from his directing of the under-seen classic The Killing of a Chinese Bookie to his acting in such crowd-pleasers as the 1964 version of The Killers and The Dirty Dozen. And one of the “Dozen”, the great music star-turned-actor Trini Lopez gets remembered in “Celebrity Deaths”. Robert Altman’s penultimate film, The Company, receives some fascinating analysis. And speaking of fascinating analysis, somehow a discussion of TV’s “Columbo” and “Law and Order: Criminal Intent” allow Dean and Phil to figure out once and for all why the Back to the Future sequels are so bad! At the close, your friends in podcasting preview next week’s show when they will be discussing the series nominated for the Emmy in the “Best Comedy” category and the dire circumstances threatening SAG-Aftra in the wake of the union’s health plan implosion.
Phil Leirness is joined by music journalist (and friend of the show) Yoshi Kato, who briefly fills in for a tardy Dean Haglund, to discuss the lives and legacies of six notables from the world of music in “Celebrity Deaths”, as well as to set the table concerning a later discussion of Asian Pacific American Heritage month and the 1961 film Flower Drum Song. Dean then arrives just in time to remember a prolific character actor, the decorated police officer who played Eddie Haskell on TV’s “Leave it to Beaver”, and the great Fred Willard. Dean and Phil then answer an email from a loyal listener about an upcoming Michael Bay film set in the world of Covid-19. This leads to a fascinating discussion and argument before attention is turned to the ramping up of film and TV production and the announcement that the Venice Film Festival will go ahead as planned this September. Dean then sings the praises of two different television series, Phil sings the praises of two classic movies about gambling. Then the conversation turns to the careers of Sessue Hayakawa, one of the first heartthrobs of the silver screen, the hilarious and brilliant Jack Soo, and the tragically overlooked Reiko Sato.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
In the first half of this week’s show, Dean Haglund and Phil Leirness celebrate the lives of several show biz luminaries who shuffled off the mortal coil these past few weeks. They also analyze the list of the 10 best films of the decade according to the legendary Cahiers du Cinema, especially their top choice. Finally, Dean and Phil reveal a newfound opponent to the Department of Justice’s plan to end the Paramount Consent Decree. Then, after a commercial break, your friends in podcasting welcome to the program, lifelong broadcaster and educator Alex Lewczuk of the University of Lincoln in the UK, Siren FM, and Southside Broadcasting. He discusses the past and present of sci-fi, as well as the importance of futurism.
Phil reveals good news and terrifying stories about his recovery from eye surgery, he and Dean lay out a wide array of possible solutions to gun violence, they remember a legendary writer, they update the Writers Guild’s battle with talent agents, they reveal new movie theater subscription news and they re-visit what they were talking about 12 years ago this week! All that, plus your friends in podcasting dig deep in their analysis and appraisal of Quentin Tarantino’s Once Upon a Time in Hollywood, his career output and his place in cinematic history. Finally, they celebrate one of the most important voices in cinema today, Sean Baker, the filmmaker behind The Florida Project, Tangerine and many more.