This week’s show begins with a round of Dean and Phil’s vintage movie ad game before becoming a preview of April events to which Dean and Phil are looking forward. From there, the show seques into a discussion of the latest news surrounding the Rust on-set shooting trial as well as the latest news involving the ever-expanding on-screen universes of John Wick and Blade Runner, during which Phil questions whether the USA can ever rid itself of gun violence when we so profoundly enjoy fictional depictions of such violence. Two cinematic classics by the great French director René Clément get discussed (one a 1960 adaptation of The Talented Mr. Ripley and the other a 1970 Lewis Carroll and Alfred Hitchcock-inspired film that turned Charles Bronson into the biggest global box office draw), and a circus film from Carol Reed gets celebrated, along with the body of work by its star, Burt Lancaster. In “Celebrity Deaths”, the original Wednesday Addams, the co-creator of “Sesame Street”, and the star of “James at 15” and “Salem’s Lot” all get remembered. Finally, your friends in podcasting and broadcasting commemorate the 12th anniversary of THE “comedy soundcast soundcast” Succotash!
This week’s show begins with an email from a listener in Ireland about dialect coaches and “Hollywood accounting”. After that, Dean and Phil analyze the box office struggles of the brand new In the Heights and this inspires them to look back at two song and dance films that opened on the same day many years ago, both based on the same dance craze. It also inspires them to look ahead to big blockbuster hopefuls coming out this month as well as smaller “smart house” movies all looking for some post-pandemic domestic box office love. The Angelina Jolie vehicle Those Who Wish me Dead gets reviewed. Casting news for “John Wick 4”, the Marvel MCU and “Indiana Jones 5” gets discussed. Phil follows up on his discussion of “The Undoing” by singling out two actors (and their characters) who make the show ultimately worthwhile(ish). Dean offers up an English-language Netflix series shot in Sweden as a viewing recommendation, he regales with tales of the art work he has been creating, and he reveals another of his all-time favorite episodes of “The X-Files”. Finally, Dean and Phil compare notes on their travel plans for the summer before playing an entire four-round “Steven Seagal” edition of their Vintage Movie Ad game!