This week, year 17 gets underway in style with the first part of a special two-part theme show where Dean and Phil discuss the cinematic legacies of two of the biggest stars of all time: Kirk Douglas and Burt Lancaster. This episode focuses on these famous actor-producers’ careers though the year 1960. And it also involves discussions of many other notable screen artists, from filmmakers like Billy Wilder, to performers like Barbara Stanwyck. So keep those chosen “watchlists” and/or “queues” handy as you will doubtless learn about a title or two (or a dozen) of movies you will want to enjoy or re-visit!

This week’s show begins with a round of Dean and Phil’s vintage movie ad game before becoming a preview of April events to which Dean and Phil are looking forward. From there, the show seques into a discussion of the latest news surrounding the Rust on-set shooting trial as well as the latest news involving the ever-expanding on-screen universes of John Wick and Blade Runner, during which Phil questions whether the USA can ever rid itself of gun violence when we so profoundly enjoy fictional depictions of such violence. Two cinematic classics by the great French director René Clément get discussed (one a 1960 adaptation of The Talented Mr. Ripley and the other a 1970 Lewis Carroll and Alfred Hitchcock-inspired film that turned Charles Bronson into the biggest global box office draw), and a circus film from Carol Reed gets celebrated, along with the body of work by its star, Burt Lancaster. In “Celebrity Deaths”, the original Wednesday Addams, the co-creator of “Sesame Street”, and the star of “James at 15” and “Salem’s Lot” all get remembered. Finally, your friends in podcasting and broadcasting commemorate the 12th anniversary of THE “comedy soundcast soundcast” Succotash!

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

Dean is on a crazy road trip from Detroit, one that has led him to Des Moines and Denver. What city beginning with “De” will be his next stop? You will find out! The show opens with a tale of bad behavior by one of the biggest stars currently living in the Hollywood Hills. The latest on the Rust on-set shooting tragedy, and ensuing legal chaos, gets covered. A holocaust survivor-turned-sitcom star, the composer of one of the most iconic themes in cinema history, and an Oscar-nominated filmmaker all get remembered in “Celebrity Deaths”. A whole mess of 2022 movies get reviewed, including leading “Best Picture” hopeful Women Talking, as well as The Woman King, Where the Crawdads Sing, and The Outfit. An overlooked noir-ish classic from Carol Reed gets reappraised, as does a Nazi gold caper film from the 1970s, and a truly bizarre satire about presidential assassination from the author of “The Manchurian Candidate” and “Prizzi’s Honor”.

Your friends in podcasting have been teasing episode #568 for weeks! They had really been looking forward to counting down their all-time favorite Mystery films and the final results prove to be a lot of fun. So, get those Netflix queues handy, because Dean and Phil will hit you with more than two dozen movies they discuss at length with four films actually finding a place on both their Top Tens. There are comedy “whodunits” from the 1930’s, foreign language allegories from the 2000’s, independent films that launched careers, classics from international masters that launched entire sub-genres, mysteries based on books, mysteries based on plays, mysteries set in the farthest reaches of space, mysteries full of post-war romance and cold war anxiety. The biggest mystery of all is after almost eleven years, how do Dean Haglund and Phil Leirness keep managing to provide an hour (plus) of free audio entertainment each week?!

This week’s show is over five and a half years in the making.

It starts with your friends in podcasting revealing their all-time Top Ten Films.

Then, they reveal the all-time Top Ten according to all the guests who have appeared on YOUR Chillpak Hollywood Hour!

What films will make the cut?

We wouldn’t dream of spoiling it. HOWEVER, we CAN let you know that these films did NOT make the top ten, though they came very close, finishing in positions twenty-four through eleven:

24. Vertigo (Director: Alfred Hitchcock, Year: 1958)
23. Apocalypse Now (Francis Coppola, 1979)
22. Amelie (Jean-Pierre Jeunet, 2001)
21. A Clockwork Orange (Stanley Kubrick, 1971)
19. TIE – Pulp Fiction (Quentin Tarantino, 1994), The Big Lebowski (Joel Coen, 1998)
18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
17. Wings of Desire (Wim Wenders, 1987)
16. the Matrix (The Wachowskis, 1999)
15. The Third Man (Carol Reed, 1949)
14. Chinatown (Roman Polanski, 1974)
13. Fellini’s 8 1/2 (Federico Fellini, 1963)
12. Goodfellas (Martin Scorsese, 1990)
11. Lawrence of Arabia (David Lean, 1962)

Got your popcorn? Then, let’s go to the movies!