This week’s show picks up where last week’s show left off, in a cold open about Godard’s Contempt and Scorsese’s Raging Bull. Then, Dean and Phil talk about the importance of supporting movie theaters, and Dean offers up another vintage TV title ripe for viewing/re-viewing during what promises to be a very lengthy halt in television production. Phil shares deeply personal thoughts about two remarkable people who died this year. That leads to an edition of “Celebrity Deaths” dedicated entirely to great writers. Then, it’s back to Robert De Niro (and Raging Bull) as Dean celebrates what he believes to be the all-time five greatest performances by the multiple Oscar-winning legend.
This week’s show begins with Dean and Phil discussing one of Dean’s all-time favorite films and filmmakers: My Winnipeg by Guy Maddin. Phil hails it as perhaps the greatest film NOT to be on the Sight and Sound poll of the 250 greatest films ever made. From great movies to great television, your friends in podcasting and broadcasting shift gears to discuss the end of “Succession”, the end of “Barry”, the end of “The Marvelous Mrs. Maisel”, the end of “Ted Lasso”, Season 1 of “Star Trek: Strange New Worlds”, and Season 2 of “Star Trek: Picard”. And speaking of “Picard” the actress who played the Borg Queen will get remembered in Celebrity Deaths, as will a beloved French-Canadian actor, an incredible Mexican character actor, the stunt man who inspired Quentin Tarantino’s “Once Upon a Time in Hollywood” … And the lead character in that film has also died?!
Dean and Phil knew they were going to be celebrating the career of the great actor and star James Caan on this week’s show and then the floodgates opened, with many beloved character actors exiting the stage, so after a brief and hilarious cold open, Season 3 Episode 23 begins with “Celebrity Deaths”. Then, the whole concept of “celebration” as a lost “art” gets explored, before your friends in podcasting use it as a springboard to discuss several current television series and a handful of truly brilliant performances. The big screen will not be ignored either, as the cinematic output of Edgar Wright gets examined through the prism of his recent ghost story (Last Night in Soho) and a baseball comedy classic from the 1970s gets revisited.