In a rather shocking cold open, Phil reveals not only that he has World Cup Fever, but also that he is genuinely thrilled about the early tournament achievement accomplished by Team Canada! Brief remembrances of artist David Hockney and journalist Gene Shalit (both of whom died during the past few days) are offered. Then, things turn dark, as Dean and Phil explore some of the shabbiest corners of show business, with the latest on the impending Paramount merger with Warner Bros. and the return of the It Ends With Us lawsuit between director Justin Baldoni and star Blake Lively. Last week Dean and Phil talked about actress Ann Savage, who starred in Dean’s all-time favorite My Winnipeg. This week, Phil reveals to Dean that the Academy Museum will be hosting a “Weekend with Guy Maddin” featuring four of this master filmmaker’s greatest works. Dean convinces Phil to attend the entire weekend. A couple weeks back, Dean and Phil discussed the all-time classic Some Like it Hot and in so doing, Dean made some comments about that film’s indelible supporting player Joe E. Brown that inspired friend of the show Maurice Terenzio to hunt and peck his way through a lengthy, fascinating and rewarding missive about this great comic actor (and humanitarian). Film noir has been foremost on Phil’s mind of late, and he offers detailed appreciations for two of his all-time favorite actors: Sterling Hayden (in the process analyzing the revered Nicholas Ray-directed and Joan Crawford-starring western Johnny Guitar and the classic John Huston crime procedural The Asphalt Jungle) and Veronica Lake (with particular attention paid to the Raymond Chandler original The Blue Dahlia). Finally, it’s no secret that Dean loves action, and he offers a full report on the just-released action film The Furious.

Phil was actually worried he and Dean wouldn’t have enough to discuss to fill this week’s show and wow was his worry unfounded! The gentlemen get the conversational ball rolling with the return of “What We’re Reading” wherein four quite fascinating and quite disparate works get covered, leading to in-depth discussion about such topics as painting watercolors, epistolary novels, the comedic genius of Norm Macdonald, and life in Austria-Hungary of the early 1900s. All the major prizewinners at Cannes 2026 get discussed, and the early summer U.S. box office gets celebrated. Then, however, the tone turns darker, as the need for a full-on boycott of Paramount and its properties gets expressed, and the ramifications of waiting for the Warner Bros. merger to launch said boycott get explored. Dean saw The Sheep Detectives and shares his thoughts. Phil watched the classic 1945 film noir Detour and spills the dirt on its director’s fall from grace, hails the film as a must-watch for aspiring filmmakers, and regales Dean with a delightful fact about the career of the film’s lead actress, Ann Savage.

Our last show before our 18th Anniversary is also our last show to be recorded via Skype! It’s also an action-packed 72 minutes that boasts the return of “Lawsuit of the Week”, where Dean and Phil get down and dirty discussing the Paramount merger with Skydance, the fate of CBS’ long-running “60 Minutes”, DEI initiatives, the FCC and Trump advisor Stephen Miller. Several films get discussed in depth, including Easter Parade, Diary of a Mad Housewife and Meshes of the Afternoon – each of which leads to discussions about husband-wife creative teams. In “Live Event(s) of the Week”, the delightful TCM host Ben Mankiewicz and the super-talented “Medicine Woman” Veronica Osorio both get celebrated. “Celebrity Deaths” this week is a lightning round quiz edition featuring remembrances of a game show host, a child star, a TV cowboy, a Canadian movie director, an Emmy Award-winning dramatic actress who starred in and co-created one of the most legendary dramas of all time, a Tony-winning composer and lyricist, a rock drummer, and a neo-expressionist painter. Finally, Dean discusses the Seth Rogen-starring Apple TV+ series “The Studio”.

This week’s episode finds Dean Haglund and Phil Leirness in fine form, discussing this year’s Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The “Lawsuit of the Week” returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil’s favorite journalists entitled, “We Are Schrödinger’s Cat”. You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II “underground railroad” operation run through there! The Scandinavian countries are very much on Phil’s mind. Dean and Phil discuss how high those countries rank on the list of “happiest” countries and how low the USA ranks. Two recent Scandinavian horror films (this past year’s Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world’s first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of “The White Lotus”, while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Due to the ridiculous travel itineraries of your friends in podcasting, this week’s show is coming at you one day late, but is jumbo-sized to make up for its tardiness! The festivities get started on a midnight train ride through Denmark two Saturdays back as Phil Leirness and Jon Lawlor discussed sandwiches, the English language, the honor system of Copenhagen and swapped tales of the magnificent Copenhagen City Hall. Then, back in Los Angeles, Phil quizzes Lily Holleman (Leirness) about the terrors of London Heathrow Airport, the joys of steam-punk weddings, the incredible history of the Koronborg Slot (aka “Hamlet’s Castle”), the delights of Copenhagen breakfasts, and the inspiring art of Edvard Munch. Finally, Phil connects with Dean Haglund, who is enjoying his honeymoon in Portugal. They discuss Dean’s nuptials, their respective Nordic ancestry, Dean’s visit to Paris, the delights of Lisbon, Guy Maddin’s most recent film, the television miniseries “A Gentleman in Moscow” and much more!

Phil is back from New York City. Dean is preparing to travel to Tokyo. They have a lot to discuss on this week’s installment. Phil talks about a live show he saw in New York, about the work of an all-time great stone-cutter, about Columbus Day, and about Indigenous Peoples Day. Dean talks about the fish market he can’t wait visit, and the “Venice of Japan”, and previews the drawings he will do while far out and far east. “Hogan’s Heroes” gets discussed, because, y’know … Dean! Apple TV + is foremost on the mind of Phil – both its dominance of episodic television and its failure at feature filmmaking. One classic film (1962’s The Manchurian Candidate), one action film from Taiwan (The Pig, The Snake and The Pigeon) and two recent releases (Wolfs, The Bikeriders) get deep dive analysis, while Guy Maddin’s latest and the new “Joker” film get previewed. All that plus Phil offers personal recollections of a true genius in the history of film, film criticism and film preservation, Robert Rosen, who died at 84.

The riddle: What show covers the best film of 2023 (thus far), one of the best films of the 21st century (a movie from Hungary), the 11th greatest film of all time (according to the Sight and Sound poll), AND one of the worst films of all time (a musical version of Dr. Jekyll and Mr. Hyde), in addition to drag shows in Florida, the charms of Santa Catalina Island, the Japanese American National Museum, Dobie Doodle puppies, and several fascinating (quasi) “Celebrity Deaths”?

The answer: Why, this show, of course!

After a cold open about the founder of Hollywood’s Magic Castle and about the greatest professional football player of all time, this week’s show gets started with Dean discussing upcoming “X-Files” convention appearances. And, thanks to an email from a loyal listener like you (yes, YOU!), Dean will share one of the most hilarious behind-the-scenes stories about the making of “The X-Files”. Another email from friend of the show Maurice Terenzio might just be the funniest Dean and Phil have ever received! It will get shared in all its glory. Movies are foremost on Phil’s mind this week and such titles as Armageddon Time, Renfield and the documentary Lynch/Oz will get discussed, as will a wonderful comedy-horror film called Evil Sublet. The current SAG-AFTRA negotiations with the producers will get touched upon as those negotiations relate to the “Salkind clause”, AI, and soap operas.

This week’s show begins with Dean and Phil discussing one of Dean’s all-time favorite films and filmmakers: My Winnipeg by Guy Maddin. Phil hails it as perhaps the greatest film NOT to be on the Sight and Sound poll of the 250 greatest films ever made. From great movies to great television, your friends in podcasting and broadcasting shift gears to discuss the end of “Succession”, the end of “Barry”, the end of “The Marvelous Mrs. Maisel”, the end of “Ted Lasso”, Season 1 of “Star Trek: Strange New Worlds”, and Season 2 of “Star Trek: Picard”. And speaking of “Picard” the actress who played the Borg Queen will get remembered in Celebrity Deaths, as will a beloved French-Canadian actor, an incredible Mexican character actor, the stunt man who inspired Quentin Tarantino’s “Once Upon a Time in Hollywood” … And the lead character in that film has also died?!

Dean is back from the UK and reports on his travels. Phil has been availing himself of classic movies and has thoughts on an indie gem from the 1980s, a mind-bending oddity from Joseph Losey, and a 1960 epic about the founding of Israel. The episodic series “Space Force”, “Barry” season 3, “Our Flag Means Death”, “Hacks” season 2, “The Book of Boba Fett”, “Obi-Wan Kenobi” and season 2 of “The Mandalorian” get discussed. Four giants of the music industry and 3 beloved character actors get remembered in “Celebrity Deaths”. Finally, Dean and Phil explain why Tom Cruise was probably the perfect person to produce and star in a brilliant sequel 36 years after the original, and Phil shares some inspiring words relating to Asian American Pacific Islander Heritage Month.