In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

Phil is back from a weekend excursion to Catalina and regales with tales of his trip. Dean previews his forthcoming trips to London, Los Angeles, Japan and Europe. Many different Netflix shows starring comedian John Mulaney get discussed, and his work ranging from stand-up to sketch to performance art gets analyzed. Three recent movies also get analyzed: the “found footage” horror favorite Late Night with the Devil, the Ian McShane-starring indie thriller American Star, and a modern classic from France, The Taste of Things. Finally, Hollywood giant Roger Corman gets remembered in “Celebrity Deaths”.