This week’s Canadian Thanksgiving installment features follow-ups on several topics from past episodes: Are the most important pop culture figures of the last quarter of the 20th century all named “David”? Why is contemporary art so abundant with creativity and so full of joy? What are some of the most thrilling aspects of Bonaventure Cemetery in Savannah, Georgia? And speaking of Savannah, why is The Pirate House so darn haunting? In addition to those follow-ups, Phil has been researching “Trainee” programs offered by the Writer’s Guild in the wake of their (tentative) deal with the producers. And a loyal listener has thoughts about the best/worst actors to play Hercule Poirot on the big screen. This last leads into Dean’s thoughts about Kenneth Branagh’s A Haunting in Venice before three films starring the great Dirk Bogarde, the soulfulness of Oliver Reed and a brilliant, unheralded masterpiece by the late William Friedkin all get discussed. Finally, in “Celebrity Deaths”, a beloved star of “The Man from U.N.C.L.E.” (and “NCIS”) gets remembered.
A lot of post-production work went into making this one of our best shows of the year! Dean regales with stories of drinking and jury duty, Phil remembers dear friend and true iconoclast Konrad Monti. Dean and Phil discuss Amazon’s “The Boys” (a show Dean might have actually influenced!) and the dire future of movie-going in the wake of James Bond and “Black Widow” being pushed again, which led to the 2nd largest U.S. theater chain closing, while the first largest still hasn’t fully re-opened! A terrific, and highly musical “Celebrity Deaths” involves celebrations of a great jazz musician (and subject of an awesome Netflix documentary), songwriter-singer-turned-actor Mac Davis, and 70’s-pop-queen-turned-therapist Helen Reddy! Finally, we transport you back to a certain rooftop in the historic L.A. neighborhood of Los Feliz for the conclusion of Dean and Phil’s ruminations on what filmmakers might make the list of their all-time favorites.