The first show of 2025 find Dean and Phil in good form and discussing a wide array of topics including the landscape and geography of NY’s Central Park, nature photography, the It Ends With Us controversy and lawsuit, and the near future of motion picture distribution both theatrically and via streaming. The truncated nature of this year’s mad dash Awards Season will get analyzed before the Netflix series “Man on the Inside” gets reviewed. Then, your friends in podcasting roll up their sleeves to re-examine Netflix’s 2018 film The Christmas Chronicles and offer their thoughts on the Ralph Fiennes-Juliet Binoche starrer The Return as well as the brilliant Nickel Boys and the reviled (and misunderstood?) Joker: Folie a Deux. Finally, thoughts regarding the suicide of filmmaker Jeff Baena are offered and Ralph Fiennes closes the show by being very “demure”.

Phil is back from New York City. Dean is preparing to travel to Tokyo. They have a lot to discuss on this week’s installment. Phil talks about a live show he saw in New York, about the work of an all-time great stone-cutter, about Columbus Day, and about Indigenous Peoples Day. Dean talks about the fish market he can’t wait visit, and the “Venice of Japan”, and previews the drawings he will do while far out and far east. “Hogan’s Heroes” gets discussed, because, y’know … Dean! Apple TV + is foremost on the mind of Phil – both its dominance of episodic television and its failure at feature filmmaking. One classic film (1962’s The Manchurian Candidate), one action film from Taiwan (The Pig, The Snake and The Pigeon) and two recent releases (Wolfs, The Bikeriders) get deep dive analysis, while Guy Maddin’s latest and the new “Joker” film get previewed. All that plus Phil offers personal recollections of a true genius in the history of film, film criticism and film preservation, Robert Rosen, who died at 84.